Smithsonian Folklife Festival records: 1990 Festival of American Folklife
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 27-July 8, 1990
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1990
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Revista Aérea Latinoamericana
- Dates:
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1937-2003
- Size:
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61.8 Cubic feet
158 Boxes
- Collection ID:
- NASM.2003.0028
- Repository:
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National Air and Space Museum Archives
The subject reference files of Revista Aérea Latinoamericana regarding aviation in Latin America during 1937-2003.
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- Creators:
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Ethnogeographic Board (Washington, D. C.)
- Dates:
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1942-1946
- Size:
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16.5 cu. ft. (2 record storage boxes) (29 document boxes)
- Collection ID:
- Record Unit 87
- Repository:
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Smithsonian Institution Archives
This collection includes records concerning the Board's projects, general correspondence, committee and organization work and information concerning specialized data and special subjects. Postwar regional administration records, geographic reports, country information files, photographs and uncompleted project records are also included, a...
Found In
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- Creators:
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National Museum of Natural History. Assistant Director for Automatic Data Processing
- Dates:
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1965-1990
- Size:
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14.5 cu. ft. (14 record storage boxes) (1 document box)
- Collection ID:
- Accession 95-169
- Repository:
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Smithsonian Institution Archives
These records document the development of automated data management systems for the collections of NMNH and other museums, the establishment of data handling and storage standards, and the consolidation of administrative structures to control automation policy at the Smithsonian. They include documentation of the Health, Education and Welfare ...
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1893-1969
- Size:
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2.96 Cubic feet (consisting of 5.5 boxes, 1 folder, 7 oversize folders, 8 map case folders, 1 flat box (partial), plus digital images of some collection material. )
- Collection ID:
- NMAH.AC.0060.S01.01.Motion
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Motion Pictures forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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Currier, Thomas, 1906-1986
Currier, Terrence P.
Granville, Bonita
Warner, H.B.
More … - Dates:
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1928-1986.
- Size:
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0.5 Cubic feet (2 boxes)
- Collection ID:
- NMAH.AC.1120
- Repository:
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Archives Center, National Museum of American History
Thomas Currier (1906-1986) and his partner Max Zides (1904-1975) formed the radio, vaudeville, night club and television song and patter duo known as Hum (Zides) and Strum (Currier). The collection documents the career of Currier and Zides as Hum and Strum.
Found In
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- Dates:
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1835 - 1897
- Size:
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3.5 Cubic feet (11 boxes, 15 oversize folders)
- Collection ID:
- NMAH.AC.1386
- Repository:
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Archives Center, National Museum of American History
The collection documents Cyrus W. Field's efforts to lay the transatlantic cable from Ireland to Newfoundland in 1866. The materials include photographs, correspondence, resolutions, maps, charts, and printed publications about Field and the transatlantic Cable.
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- Creators:
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Eckhart, Percy B. (Percy Bernard), 1877-1969
- Dates:
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1925-1954
1925-1954
- Size:
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23 Film reels (14,300 feet, 16mm)
23 Film reels (14,300 feet, 16mm)
- Collection ID:
- HSFA.2017.05
- Repository:
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Human Studies Film Archives
Percy B. Eckhart was a lawyer, a prolific oil painter, and a supporter of the arts. Most of the film footage in this collection is of travel, but there is also film footage of his family, and of a fiction film.
Found In
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- Creators:
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Muray, Nickolas, 1892-1965
- Dates:
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1910-1992
- Size:
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1.5 Linear feet
- Collection ID:
- AAA.muranick
- Repository:
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Archives of American Art
The papers of photographer Nickolas Muray measure 1.5 linear feet and date from 1910 to 1978. Found within the papers are biographical materials; business and personal correspondence, including a handful of letters from Frida Kahlo; writings; teaching files, primarily of photography courses taught at New York University; printed material; artwork; and photographic materials of Muray, his family and friends, and his work. There is a 0.6 linear feet Unprocessed Addition which includes biographical material, correspondence, photographs, research notes and a diary about Africa, and a subject file on the book The Revealing Eye, Personalities of the 1920s, written by Paul Gallico with photographs taken by Muray, 1967.
Found In
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- Creators:
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White Fathers
White Fathers Mission
- Dates:
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circa 1903-1925
- Size:
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217 Photographic prints (black and white)
217 Copy prints (black and white)
217 Copy negatives (black and white, 4 x 5 in.)
- Collection ID:
- EEPA.1987-010
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
The Pères Blancs (White Fathers) Society Photographic Album documents the group's missions and the Africans living near them in the East African kingdoms of Rwanda and Burundi (now the state of Rwanda-Burundi). Subjects include individual and group portraits of Africans, including members of the Tutsi royal family and the Tutsi elite, Christian families of Hutu origin, missionaries and Western visitors, and Twa people on an elephant hunt. There are also photos of landscapes, African villages and mission buildings, activities, including dancing and farming.