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Creators:
Tanner, Henry Ossawa, 1859-1937
Dates:
1860s-1978
bulk 1890-1937
Size:
2.3 Linear feet
Collection ID:
AAA.tannhenr
Repository:
Archives of American Art

The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his studio in Paris and home in Trepied, Normandy, his family, friends, fellow artists, and his artwork. Additional photographs include a circa 1890 shot of Tanner with fellow students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Also found are a few sketches and drawings.

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Creators:
Cole, Timothy, 1852-1931
Dates:
1883-1936
Size:
0.5 Linear feet
Collection ID:
AAA.coletimo
Repository:
Archives of American Art

The papers of wood engraver Timothy Cole date from 1883-1936, and measure 0.5 linear feet. Found within the papers are letters primarily written by Timothy Cole to the editors of Century Magazine, and letters to Cole from colleagues Gifford Beal, Alice Brown, George de Forest Brush, Kenyon Cox, David Finney, Helen C. Frick, Joseph Pennell, Caroline Powell, John Singer Sargent, and Helen M. Turner. Also found are miscellaneous writings, artwork including wood engravings and printing plates, miscellaneous clippings and a photograph of Cole and his wife.

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Creators:
Almaraz, Carlos
Flores, Elsa
Dates:
1946-1996
Size:
7.9 Linear feet
Collection ID:
AAA.almacarl
Repository:
Archives of American Art

The papers of painters and muralists Carlos Almaraz and Elsa Flores measure 7.9 linear feet and date from 1946 to 1996. The collection documents the careers of both artists through biographical material, correspondence, writings, professional files, personal business records, printed material and artwork.

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Creators:
Wilson, Judith, 1952-
Dates:
1966-2010
Size:
11.2 Linear feet
27.94 Gigabytes
Collection ID:
AAA.wilsjudi
Repository:
Archives of American Art

The papers of African American art historian Judith Wilson measure 11.2 linear feet and 27.94 GB and date from 1966 to 2010. Wilson's career is documented through correspondence with friends, colleagues, artists, universities, and art organizations; notebooks; files on writing projects, conferences, lectures, symposia and other professional activities; and a small amount of printed material. Also found is research material on artist Bob Thompson, including photographs, printed material, correspondence, notebooks and a documentary video recording. Additionally, the collection includes sound recordings of 71 interviews of artists and art collectors and six video recordings. Some of the materials are in digital format.

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Creators:
Bohnen, Carl A., 1872-1951
Dates:
1888-1977
Size:
3.7 Linear feet
Collection ID:
AAA.bohncarl
Repository:
Archives of American Art

The papers of portrait painter Carl Bohnen date from 1888-1977, and measure 3.7 linear feet. Found within the papers are biographical materials; correspondence among family, clients, and colleagues; scattered business records; a sketchbook and loose sketches; miscellaneous notes and writings; three scrapbooks of clippings and additional printed materials. Photographs are of Bohnen, family members, colleagues, views of Paris in the late 1920s, Native American models, portrait clients, and artwork.

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Creators:
Cannon, Susan Faye
Dates:
1962-1979
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 82-126
Repository:
Smithsonian Institution Archives

These papers document the personal and professional activities of Susan Faye Cannon, curator, Division of Physical Sciences, National Museum of American History. Included are official correspondence and memoranda, including documentation submitted for Professional Accomplishments Evaluation Committee (PAEC) reviews; correspondence with student...

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Creators:
DeVorkin, David H., 1944-
Dates:
circa 1979-2002
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 07-137
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the professional activities of David H. DeVorkin, Curator of Astronomy, National Air and Space Museum. Materials primarily document DeVorkin's editing of a book for the National Geographic Society titled Beyond Earth: Mapping the Universe, preparation of his own books and manuscripts such a...

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Creators:
Duncan, James T.
Duncan, Paul
Dates:
1937-1941
Size:
0.5 Cubic feet
Collection ID:
NMAH.AC.0827
Repository:
Archives Center, National Museum of American History

Filmed entirely on location at the W. Clark McMillen Farm in Atlantic, Pennsylvania, the Paul Duncan Film Collection documents three types of now obsolete farming practices using draft horses and manual labor: making hay (1937), threshing wheat (1939), and cradling & flailing (1941). The film is 8mm, black and white and color. Edge codes date f...

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Creators:
Seitz, William Chapin
Dates:
circa 1930-1995
Size:
32.5 Linear feet
Collection ID:
AAA.seitwill
Repository:
Archives of American Art

The papers of educator, painter, and art historian William Chapin Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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