The papers of New York painter William Clutz measure 3.1 linear feet and date from 1930-2016. The collection consists of biographical material, correspondence, personal business records, printed material, photographic material, artworks, and twelve sketchbooks which illuminate the career and artistic development of Clutz, a painter known for depictions of figures in urban settings. The photographic material is particularly robust and includes hundreds of photographs, slides, transparencies, and digital images of Clutz, family, friends, his painting, as well as documentation of exhibition installations. Artwork and sketchbooks in pencil, pastel, and charcoal provide a glimpse into the preliminary stages of his work process.

The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.

The papers of expatriate painter Walter Gay measure 1.2 linear feet and date from 1870-1937 with some photocopied items and a photograph dated 1980. The collection includes photocopies of two letters, scrapbooks assembled by Gay's wife, Matilda Gay, with correspondence, photographs, exhibition catalogs, price lists for artwork, and clippings, photocopies of a scrapbook of clippings, four of Gay's sketchbooks, three photographs of Gay and a photograph of a painting by Gay.

The records of New York City gallery, Betty Cuningham Gallery, measure 7.1 linear feet and 6.47 gigabytes, and date from 1970-1982 and 2004-2014. The bulk of the collection pertains to the reestablishment of the gallery in 2004, and includes artist files, exhibition files, guest books from exhibitions, exhibition catalogs and announcements, and scrapbooks. Among the artist and exhibition files are several promotional digital video recordings produced by the gallery featuring interviews with artists and curators. The gallery's early records, Cuningham Ward from 1972-1978 and Betty Cuningham Gallery from 1978-1982, contain artist files, exhibition files, a financial ledger, printed material, and photographs.

The papers of painter and assemblage artist Gary Falk measure 2.5 linear feet and 0.005 GB and date from circa 1955-2013. The papers document his career as an artist in New York through biographical material, including project proposals, student records, and items from his memorial service; a small amount of personal correspondence; four notebooks; exhibition files; printed material; photographs of Falk, Falk with friends, artwork, and travel; digital photographs of artwork; and original artwork, including drawings, collages, and two sketchbooks.

The papers of artist Judith Linhares measure 3.02 linear feet and date from circa 1955-2014. The collection documents her life, career, and inspirations through biographical material, correspondence, writings, illustrated notebooks, exhibition files, and printed material. Eight scrapbooks which Linhares identifies as her "archive" include additional printed material, professional correspondence, consignment agreements, artist statements, photographs, and interview transcripts.

Correspondence, speeches, clippings, unpublished manuscripts, scrapbooks related to advertising.

The papers of craftsman and administrator George Fedoroff measure 2.0 linear feet and date from 1939-1980. Found are biographical materials, correspondence, writings and notes, professional files, printed materials, and photographs. Many of the documents concern Fedoroff's work with the United States Department of the Interior, Bureau of Indian Affairs.

Halkett and Wesolow(ski) materials show the process of technological innovation through laboratory protocols. They also demonstrate the various alternatives explored in the search for effective artificial circulation by using materials which would not damage or clot blood and that could be sterilized. The evolution of the pumping mechanism and powe...

This collection consists of one cubic foot of research material gathered by Eileen Lebow to write Cal Rodgers and the Vin Fiz: The First Transcontinental Flight. The following types of material are included, which trace Rodgers' flight: copy photographs; vintage prints and postcards; copies of newspaper articles; and brochures.