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Creators:
Baldwin Locomotive Works.
Dates:
1822-1956
Size:
7 Cubic feet
6 Microfilm (35 mm)
Collection ID:
NMAH.AC.0157
Repository:
Archives Center, National Museum of American History

This collection consists of Engine Registers and Engine Order Books. The Engine Registers list all locomotives built by the company from 1833 through 1956. They provide information on the purchasing railroad, date of trial, engine name, construction number, class, track gauge, number of wheels, size of cylinders, number of valves and fuel type. ...

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Creators:
Richardson, Deborra
Reagon, Bernice Johnson, 1942-
Dates:
circa 1822-1994
Size:
6.55 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0653
Repository:
Archives Center, National Museum of American History

The collection documents the customs and culture of black gospel song and its performance in 19th- and 20th-century America. Dr. Reagon collected photographs, sheet music, and other primary and secondary sources chronicling the development and legacy of this medium, from the Civil War to the Civil Rights movement, from blues to Gospel to classical to jazz. Among the subjects included in this collection are trailblazers such as Charles Tindley, Thomas A. Dorsey, Rosetta Tharpe, Duke Ellington, and Nathaniel Dett. Noted performers are the Fisk Jubilee Singers, the Harmonizing Four, the Hampton University Choir, and the Chick Webb Orchestra.

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Creators:
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John
Swauger, James Lee
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Rice, Moses P.
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Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Robinson, Holton Duncan, 1863-1945
Dates:
1889 - 1938
Size:
0.66 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.0963
Repository:
Archives Center, National Museum of American History

Business papers, patents, and photographs of bridges documenting the work of Holton Duncan Robinson, world-renowned engineer in suspension bridge cable design and construction.

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Creators:
Tsosie, Michael
Dates:
circa 1900-1986
Size:
3 color negatives (35 mm)
50 copy negatives
52 copy prints
Collection ID:
NAA.PhotoLot.93-12
Repository:
National Anthropological Archives

Photographs collected by Michael Tsosie from Dorothy Jenkins Patch and Margaret Phillips Dailey. Mrs. Patch's photographs are of a Mohave family and their descendents, mainly formal and informal portraits of members of the Jenkins, Patch, and Tsosie branches. Mrs. Dailey's photographs are of the Phillips (Laguna) and Tsosie (Navajo) families. The c...

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Creators:
ANONYMOUS
Dates:
undated
Size:
1 Print
Collection ID:
NAA.MS4803
Repository:
National Anthropological Archives

A group of eleven Indians and two white men are pictured sitting in and around an old automobile (model probably could be identified). Tentatively identified in accompanying correspondence as "Buffalo Bill's Indians (Cowboys and Mexicans, too) at Grant's tomb, in NYC."

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Dates:
1875-1878
Size:
20 Drawings (18 leaves, graphite and colored pencil, 17 x 20 cm.)
Collection ID:
NAA.MS1998-54
Repository:
National Anthropological Archives

Twenty drawings in a commercial exercise book that has been rebound. The book had been sewn into a second cover prior to its acquisition by the Smithsonian. This second cover was removed when the book was rebound. It is still with the manuscript. The drawings depict hunting, courtship, dance, social gatherings, Indian scouts, mounted and dismounted...

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1754-1963
Size:
1.43 Cubic feet (consisting of 3 boxes, 2 folders, 1 oversize folder, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Afro
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Afro-Americana forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Langsner, Jules, 1911-1967
Dates:
circa 1910s-1998
bulk 1950-1967
Size:
4.4 Linear feet
Collection ID:
AAA.langjule
Repository:
Archives of American Art

The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

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