Biographical material; correspondence; writings; exhibition checklists; exhibition invitations; appraisal information; clippings and reviews; and photographs relating to Robinson's career as an artist. Included are a letter from the St. Louis World's Fair Department of Art signaling aceptance of works by Robinson, 1904; certificates of acceptance o...

The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.

Photographs of Nichols, his family and works of art; early drawings; exhibition catalogs; clippings; letters; and miscellany.

Thirty-five letters from Wood to Stein, six of them handwritten and two illustrated with a cat; two photographs; one reproduction of a drawing by Wood; an invitation to Wood's 105th birthday party; an announcement to Wood's memorial service; and one newspaper article.

Clippings and photographs about the work of Edwin and Isabelle Churchman.

Artist's files, including business correspondence, price lists and invoices, newspaper and magazine clippings, press releases, photographs and slides, exhibition announcements, and catalogs and brochures from artists represented by the Esther Robles Gallery.

Primarily records of the San Francisco Art Association (1871-1920), but also of the California School of Design (1873-1905) (briefly called the Mark Hopkins Institute of Art in 1893), the Palace of Fine Arts (1915-1945), The Western Round Table on Modern Art (1949), the San Francisco Art Institute (1911-1978), the San Francisco Museum of Art (1921-...

The Adele Bednarz papers consist of material related to the Adele Bednarz Galleries in Los Angeles, California measure 0.01 linear feet and date from 1962 to 1979. The papers include business correspondence with Stanton Macdonald-Wright and others; exhibition invitations, 1970-1976; a typescript, "Paper into Art;" information concerning the Adele Bednarz Galleries including a photograph of the Galleries' exterior and a partial inventory of graphic works; clippings and printed matter.

The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 34.98 linear feet and 1710.223 gigabytes, and date from 1969-2017. The collection documents the artist's life and work through correspondence, writings, project and commission files, exhibition files, teaching files, and printed material. Project and commission files comprise the majority of the collection at 18.2 linear feet and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. The papers include a small number of born digital records, including digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations. There is a 6.48 linear foot and 1710 gigabyte unprocessed addition to this collection donated in 2021 that includes biographical information, interviews, subject and project files, exhibition files and lists, photographs, writings, videos, and preliminary works of art. The addition predominantly documents the comprehensive photographic documentation of Zimmerman's works and extensive preparatory drawings. Materials date from circa 1967-2019. A portion of the addition includes born digital material.

The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.