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Creators:
Blumenschein, Ernest Leonard, 1874-1960
Dates:
1873-1964
Size:
2.1 Linear feet
Collection ID:
AAA.blumerne
Repository:
Archives of American Art

The papers of southwest painter and illustrator Ernest Blumenschein measure 2.1 linear feet and date from 1873-1964. The collection documents Blumenschein's artistic career, his relationship with his wife and daughter, his love of the American southwest, and his involvement in the art community of Taos, New Mexico. Found are biographical materials, personal and professional correspondence, scattered personal business records, writings, a large amount of juvenilia artwork, and photographs of artwork.

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Creators:
Boas, Ernst P. (Ernst Philip), 1891-1955
Dates:
1927-1946
Size:
0.25 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.0881
Repository:
Archives Center, National Museum of American History

The papers document Dr. Ernst P. Boas and his work with Benjamin Liebowitz and Dr. Ernst F. Goldschmidt to develop the cardiotachometer (US Patent 1,816,465), a device to measure patients' heart rates for long periods of time. Materials include Dr. Boas's correspondence, patient experiment data, articles, and reprints of journal articles authored by Dr. Boas and with others that relate to the development of the cardiotachometer.

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Creators:
Sanchez, Emilio, 1921-1999
Dates:
1922-2012
Size:
18.1 Linear feet
Collection ID:
AAA.sancemil
Repository:
Archives of American Art

The collection measures 18.1 linear feet, dates from 1922 to 2012, and documents the career of Cuban-born painter and printmaker, Emilio Sanchez. The collection includes letters to Sanchez, business records, photographs of the artist and sources for his artwork, many original sketches, printed material, and calendars.

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Creators:
Michals, Duane
Dates:
circa 1940-2019
Size:
7.5 Linear feet
Collection ID:
AAA.michduan
Repository:
Archives of American Art

The papers of New York based photographer Duane Michals date from circa 1940-2019 and measure 7.5 linear feet. This small collection includes Michals' correspondence from the 1970s, printed material, photographs of Michals, as well as photographic prints he has taken for commercial and artistic projects. There is a 6.3 linear foot unprocessed addition to this collection donated 2019 and 2020 that includes primarily photographs taken by Michals of actors, writers, friends, family and classmates; photo books, postcards, assemblages, photo-sequences by Michals; an Yves St. Laurent portfolio; and photographs of Michals. Additional material includes biographical information, correspondence, printed material and a catalog on CD.

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Creators:
Serrano, Andres, 1950-
Dates:
1986-2013
Size:
2.8 Linear feet
Collection ID:
AAA.serrandr
Repository:
Archives of American Art

The papers of photographer Andres Serrano measure 2.8 linear feet and date from 1986 to 2013. The collection documents Serrano's work as a photographer through correspondence, writings, professional files, personal business records, and printed materials.

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Creators:
Seeman, Joan French
Dates:
1973-1981
Size:
1.2 Linear feet
Collection ID:
AAA.seemjoan
Repository:
Archives of American Art

The papers of art historian Joan Seeman measure 1.2 linear feet and date from 1973-1981. Included are sound recordings of interviews Seeman conducted with artists, transcripts of interviews, correspondence with artist Theodore Roszak, and notes from a visit with Hugo Robus. There is also a list of works in the Wallace Wilson Collection, which was curated by Seeman.

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Creators:
Schwartz, Sanford, 1946-
Dates:
1948-2011
Size:
0.7 Linear feet
Collection ID:
AAA.schwsanf
Repository:
Archives of American Art

The papers of exhibition curator Sanford Schwartz measure 0.7 linear feet and date from 1948-2011. The papers document the preparation and organization of two exhibitions curated by Schwartz, the Myron Stout retrospective at the Whitney Museum of American Art in 1980, and The Early Work of William King at Alexandre Gallery in New York City in 2007. Materials regarding Provincetown, Massachusetts painter Myron Stout (1908-1987) include correspondence with Stout and lenders to the exhibition; notes, writings, and sketches by Schwartz pertaining to the exhibition; and photographs of Stout, including one with Hans Hofmann teaching in Provincetown in 1948. Material regarding sculptor William King (1925-1990) includes correspondence between Schwartz and King, exhibition research and notes, photographs of artwork, and printed material.

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Creators:
Kozloff, Max
Dates:
circa 1950-2015
Size:
1.4 Linear feet
Collection ID:
AAA.kozlmax
Repository:
Archives of American Art

The papers of art critic and photographer Max Kozloff measure 1.4 linear feet and date from circa 1950-2015. The collection provides a glimpse into the work life of a prolific twentieth century American art critic through biographical material, correspondence with artists and critics, interviews, many unpublished writings, and printed material.

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Creators:
Leeds, Harold E., 1913-2002
Dates:
1940s-circa 2002
Size:
0.8 Linear feet
Collection ID:
AAA.leedharo
Repository:
Archives of American Art

The papers of architect Harold E. Leeds measure 0.8 linear feet and date from 1940s-circa 2002. The letters found here are primarily from painter Loren MacIver writing from France, during which time Leeds looked after the home belonging to MacIver and her husband, poet Lloyd Frankenberg. While mainly logistical in nature, MacIver does describe aspects of her daily life in France, and her and Frankenberg's friendships with prominent figures including Margaret Barr, Elizabeth Bishop, Pierre Matisse, and James Johnson Sweeney. The photographs in the collection document Leeds' life with partner and documentary filmmaker Wheaton Galentine, and Leeds' work as an architect and interior design professor at Pratt Institute.

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Creators:
White, Joseph
Dates:
circa 1870-2010
bulk 1971-2008
Size:
1.7 Linear feet
1.61 Gigabytes
Collection ID:
AAA.whitjose
Repository:
Archives of American Art

The papers of Washington, DC, based painter Joseph White measure 1.7 linear feet and 1.61 GB and date from circa 1870 to 2010, with the bulk of the material from 1971 to 2008. White's career as an artist is documented through scattered biographical material, correspondence with family and friends, poetry, plays, exhibition catalogs, news clippings, source material, photographs and digital photographs of White, family, friends, and artwork.

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