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Creators:
MacGaffey, Wyatt
Dates:
1980
Size:
103 negatives (photographic) (black & white, 35 mm.)
93 prints (visual works) (black & white, 8 x 10 in. or smaller)
75 slides (photographs) (color)
Collection ID:
EEPA.2003-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs by Wyatt MacGaffey, a prominent anthropologist with a lifelong scholarly interest in the Congo, taken during a survey on Belgian colonial architecture for a research project in Kisangani (formerly Stanleyville) in 1980. His images of the often dilapidated buildings range from colonial mansions to views of African housing. Other photographs show small private homes and businesses as well as a mosque under construction by the Saudis and several churches. There are also many street scenes, images of the university and the Congo River. A series of five slides shows popular paintings (such as La Colonie Belge). The value of his images is enhanced by his notes, which record subjects and locations.

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Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear Feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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Creators:
Southcott, W.
Dates:
between 1906-1908
Size:
1 box (+album)
128 postcards (1 volume, black & white, 9 x 14 cm.)
Collection ID:
EEPA.1992-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Postcards mailed mostly in Lagos between 1906 and 1908 by W. Southcott to Miss Eva Jones, and later, during 1907, to Mrs. W. Southcott (nee Jones) of New Brighton, Cheshire.

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Creators:
Pemberton, John, 1928-2016
Dates:
1982-1986
Size:
769 slides (color; 35 mm)
Collection ID:
EEPA.2015-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of 769 35mm color slides, dates from 1982 to 1986 and documents various Agemo festivals, a performing art of the Yoruba religion. More specifically, Pemberton photographed Agemo funeral rites at the Asu Aluwa house in Olosiwonade, Ijebu, various Agemo priests and their stools, the Odun Agemo festival, Chief Sherafusi's Odun Agemo festival in Igbile, and Egungun dancing at the palace in Oru, Ijebu.

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Creators:
National Portrait Gallery, Office of Exhibitions
Dates:
1974-1976
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-106
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records pertaining to "The Dye is Now Cast: The Road to American Independence," an exhibition at the National Portrait Gallery (NPG) from April 19-November 16, 1975. Materials include photographs, loan agreements, correspondence, memoranda, notes, scripts, labels, and reports.

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Creators:
Smithsonian Environmental Research Center, Office of the Director
Dates:
1965-1986, with related records from circa 1903
Size:
10.3 linear meters.
Collection ID:
Record Unit 412
Repository:
Smithsonian Institution Archives

These records primarily document the research programs and administration of the Radiation Biology Laboratory (RBL), 1965-1983, and the Smithsonian Environmental Research Center (SERC), 1983-1986, under Director William H. Klein. Also included are smaller amounts of material created by the Smithsonian Astrophysical Observatory (SAO) and the ...

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1950-1962
Size:
3.4 linear meters.
Collection ID:
Record Unit 316
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Evergood, Philip, 1901-1973
Dates:
1890-1971
Size:
11.61 Linear feet
Collection ID:
AAA.everphil
Repository:
Archives of American Art

The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1828-1961
Size:
2.56 Cubic feet (6 boxes, 1 folders, 2 oversize folders, plus digital images of some collection material)
Collection ID:
NMAH.AC.0060.S01.01.Children
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Children forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Air and Space Museum. Office of the Director
Dates:
1971-1978 and undated
Size:
10.12 cu. ft. (18 document boxes) (1 12x17 box) (1 16x20 box) (1 oversize folder)
Collection ID:
Record Unit 306
Repository:
Smithsonian Institution Archives

These records consist of the official files of Michael Collins as director of the National Air and Space Museum (NASM), 1971-1978. To a large extent, the files concern the planning and funding of the new NASM building, its construction, the preparation of exhibits, and the opening of the Museum on July 1, 1976. On day-to-day administrative ...

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