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Creators:
Lerner, Abram, interviewee
Dates:
1998
Size:
4 audiotapes (Reference copies).
Collection ID:
Record Unit 9600
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
National Portrait Gallery, Office of the Registrar
Dates:
1981-1991
Size:
5 cu. ft. (5 record storage boxes) (1 document box)
Collection ID:
Accession 95-164
Repository:
Smithsonian Institution Archives

These records consist of the files created by the Office of the Registrar in the course of their work on fifteen exhibitions shown between 1982 and 1991, including "Peace and Friendship: Indian Peace Medals in the United States," on view from January through July 1985; "Charles Willson Peale and His World," November 1982 through January 1...

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Creators:
National Museum of American Art. Department of Eighteenth and Nineteenth Century Painting and Sculpture
Dates:
1965-1983
Size:
12.5 cu. ft. (12 record storage boxes) (1 document box) (1 oversize folder)
Collection ID:
Record Unit 459
Repository:
Smithsonian Institution Archives

These records document exhibitions organized by the Department. Also included are administrative files and general correspondence files of the office.

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Creators:
National Portrait Gallery, Dept. of Design and Production
Dates:
1981-2002
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 07-054
Repository:
Smithsonian Institution Archives

This accession consists of two series. Series 1 consists of graphics records and documents the work of the department on such aspects of exhibitions as gallery guides, posters, invitations, label text, banners, letterhead, case labels, brochures, murals, and advertisements. Series 2 consists of installation records and documents the work ...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Education and Public Programs
Dates:
1988-2009
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 11-062
Repository:
Smithsonian Institution Archives

This accession consists of records documenting educational programs and activities related to exhibitions and collections at the Freer Gallery of Art and Arthur M. Sackler Gallery. Programs include multiple visit programs; teacher workshops and events; and school programs. Materials include handouts, activity sheets, student artwork, prog...

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Creators:
Edge, Doug, 1942-
Dates:
circa 1951-2017
Size:
2.7 Linear feet
Collection ID:
AAA.edgedoug
Repository:
Archives of American Art

The papers of Los Angeles conceptual sculptor, painter, and photographer Doug Edge measure 2.7 linear feet and date from circa 1951 to 2017. The collection includes exhibition and project files, illustrated journals, writings, printed material, photographic material, and artwork.

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Creators:
Rodríguez, Arturo, 1956-
Demi, 1955-
Dates:
circa 1957-2016
Size:
6.42 Linear feet
12.79 Gigabytes
Collection ID:
AAA.rodrartu
Repository:
Archives of American Art

The papers of Miami painters Demi and Arturo Rodríguez measure 6.42 linear feet and 12.79 GB and date from 1957 to 2016. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.

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Creators:
Davidson, Nancy, 1943-
Dates:
1970s-2016
Size:
5 Linear feet
Collection ID:
AAA.davinanc
Repository:
Archives of American Art

The papers of New York based interdisciplinary artist Nancy Davidson measure 5 linear feet and date from 1970s-2016. The collection includes biographical material, correspondence, illustrated notebooks and notes, gallery and exhibition files, printed material, photographic material, and two sketchbooks. Nearly one linear foot of correspondence arranged chronologically is both personal and professional. Notable correspondents include Michiko Itatani, Joyce Kozloff, Eunice Lipton, Sabra Moore, and Nancy Spero. Galleries and museums include Marianne Denson Gallery; Museum of Contemporary, Chicago; N.A.M.E. Gallery, of which Davidson was an artist member; the Walker Art Center; and White Columns. Over thirty notebooks capture Davidson's work process, evolution of ideas, related sketches in pen and pencil, reflections from readings and lectures, and notes from critiques with fellow artists Rosemary Mayer, Joyce Kozloff, Ray Yoshida, and Richard Halstead. A large sequence of printed material includes announcements, books, bulletins, newsletters, calendars, clippings, exhibition catalogs, periodicals, press releases, programs, and a few other items of printed matter relating to Davidson's professional career.

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Creators:
Chase, Ernest Dudley, fl. 1920s
Holland, Frances
Holland, Frederic
Dates:
1924-1966
bulk 1930-1940
Size:
1 Cubic foot (3 boxes)
Collection ID:
NMAH.AC.0886
Repository:
Archives Center, National Museum of American History

A collection of greeting cards, pictorial maps, and travel diaries by artist Ernest Dudley Chase. Chase created greeting cards for Clara Holland during their courtship and later marriage. The cards were hand painted by Chase in water color with cut- paper details. Many of the cards include romantic letters or poems composed by Chase.

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Creators:
Smith, Hassel, 1915-2007
Dates:
circa 1900-2004
bulk 1930-1995
Size:
4 Linear feet
Collection ID:
AAA.smithass
Repository:
Archives of American Art

The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.

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