418 records — Page 33 of 42
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Creators:
Knaths, Karl, 1891-1971
Dates:
1890-1973
bulk 1922-1971
Size:
8.9 Linear feet
Collection ID:
AAA.knatkarp
Repository:
Archives of American Art

The papers of cubist painter Karl Knaths measure 8.9 linear feet and date from 1890 to 1973, with the bulk of the materials dating from 1922 to 1971. The collection includes biographical material, personal and professional correspondence, four diaries, 22 notebooks and notes on theoretical color and compositional approaches to painting, published and draft copies of essays on art, miscellaneous printed material, 132 sketchbooks and other artwork.

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Creators:
Ludman, Joan
Dates:
circa 1910-2003
bulk 1976-2001
Size:
4.2 Linear feet
Collection ID:
AAA.ludmjoan
Repository:
Archives of American Art

The Joan Ludman papers relating to Fairfield Porter measure 4.2 linear feet and are dated circa 1910-2003, bulk 1976-2001. The papers primarily document her research for Fairfield Porter: A Catalogue Raisonné of his Prints (1981) and Fairfield Porter: A Catalogue Raisonné of the Paintings, Watercolors, and Pastels (2001). There are records concerning "Prints by Fairfield Porter from the Lauris and Daniel J. Mason Collection," a traveling exhibition organized by Ludman. Also found are Ludman's records concerning her authentications of Porter's artwork, and general printed material about Porter. Photographs are of Porter and his work. A 2015 addition includes provenance forms sent to Ludman from artwork owners.

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Creators:
Hammersley, Frederick, 1919-2009
Dates:
circa 1860-2009
bulk 1940-2009
Size:
35.05 Linear feet
Collection ID:
AAA.hammfred
Repository:
Archives of American Art

The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 35.05 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 32 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art. There is a 0.3 linear foot unprocessed addition to this collection donated in 2020 that includes photographs of Hammersley's family, and most significantly for research, a study in pencil and a "model for making cubes," a paper document that can be stored flat and folded into a cube shape.

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Creators:
d'Arazien, Arthur
Dates:
circa 1930-2002
Size:
11 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0314
Repository:
Archives Center, National Museum of American History

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...

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Creators:
Duveneck, Frank, 1848-1919
Dates:
1851-1972
bulk 1851-1919
Size:
1.2 Linear feet
Collection ID:
AAA.duvefran
Repository:
Archives of American Art

The papers of painter and teacher Frank Duveneck and his wife and painter Elizabeth Boott Duveneck measure 1.2 linear feet and date from 1851-1972, bulk 1851-1919. Aspects of the lives and work of the artists are documented in correspondence, creative writings, research notes, scrapbooks, newspaper clippings, magazine articles, ephemera, sketches and sketchbooks, and vintage photographs.

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Creators:
Peto, John Frederick, 1854-1907
Dates:
1850-1983
Size:
2.1 Linear feet
Collection ID:
AAA.petojohn
Repository:
Archives of American Art

The papers of still life artist John Frederick Peto and his family date from circa 1850 to 1983 and measure 2.1 linear feet. Within the papers are scattered biographical materials, a few letters to and from Peto, and his daughter Helen Peto Smiley's correspondence with galleries, scholars, and others concerning Peto's artwork. Also found are news clippings, exhibition catalogs, and other printed material, photographs and glass plate negatives of Peto, his family, and his artwork, and one small oil sketch fragment. Much of the collection documents the mid-twentieth century renewed interest in Peto's artwork.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2001
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2001
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
March, Benjamin, 1899-1934
Dates:
1923-1934
Size:
15 Linear feet
Collection ID:
FSA.A1995.10
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.

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Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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Creators:
Tokita, Kamekichi
Dates:
circa 1900-circa 2010
bulk 1900-1948
Size:
1.5 Linear feet
Collection ID:
AAA.tokikame
Repository:
Archives of American Art

The scattered personal papers of Seattle area painter Kamekichi Tokita (1897-1948) measure 1.5 linear feet and date from circa 1900 to circa 2010 with the bulk of the material dating from circa 1910 to 1948. The papers include biographical materials, including documents about the closing of the War Relocation Authority's Minidoka Camp in Idaho; correspondence; three diaries written in Japanese documenting Tokita's war time experiences and relocation to Minidoka, two earlier notebooks, also written in Japanese, and scattered notes; a few personal business records; printed materials; one scrapbook; sketches; and one family photograph album.

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418 records — Page 33 of 42