Bob & Bob and The Dark Bob papers
The Bob & Bob and The Dark Bob papers measure 11.0 linear feet and date between 1974 and 2021. The papers document the careers of California performing artists known as The Light Bob and The Dark Bob through correspondence with art galleries, radio broadcast stations, and record companies; audio recordings, film and video recordings, resumes, and contract agreements pertaining to shows they produced for sound and video recording studios and related professional material; clippings, catalogs, announcements, and other printed material; and photographs, slides, negatives, and transparencies of artwork and performances.
Elyn Zimmerman papers
The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 33.8 linear feet and 1710.223 gigabytes, and date from 1967-2019. The collection documents the artist's life and work through correspondence, interviews, writings, project and commission files, exhibition files, teaching files, printed material, and photographic material. Project and commission files comprise the majority of the collection at 19.40 linear feet and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. Photographic material documents Zimmerman's work through color and black and white slides, transparencies, contact sheets, negatives, and prints. The papers include a small number of born digital records, including interviews, digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations.
Italo Scanga papers
The papers of Italian-American sculptor, educator, printmaker, and painter Italo Scanga, date from circa 1930 to 2001 and measure 15.4 linear feet. The papers focus on Scanga's work as an artist but also include scattered teaching materials. Found are biographical materials, correspondence, artist files, exhibition and gallery files, professional files, a video recording, and printed material.
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Pietro Lazzari papers
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.
The National Museum Act (NMA) of 1966 affirmed the Smithsonian Institution's traditional role of assisting other museums and authorized the Institution to strengthen its activities of service to them. Funds appropriated to the Smithsonian for the implementation of the National Museum Act were made available primarily by grants and contracts to …
Ivan Karp papers
19 Sound recordings
Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He was also a professor at Emory University from 1993 to 2011. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, social theory, museum studies, and public scholarship. His collection contains his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.
Museum of the American Indian/Heye Foundation records
Heye, George G. (George Gustav), 1874-1957
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
James Henri Howard Papers
Woolworth, Alan R.
Witthoft, John, 1921-1993
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
These records were primarily created by the Office of Exhibits, 1954-1969; the Office of Exhibits Programs, 1969-1973; and the Office of Exhibits Central, 1973-1979. They document a period of intense exhibition activity at the Smithsonian Institution and its bureaus. Especially well represented are permanent and special exhibitions at the National Museum of Natural …