This accession consists of newspaper clippings about the Smithsonian Institution.
The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.
The Leo Castelli Gallery records measure 215.9 linear feet and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.
Papers documenting the life and career of bass player Leonard Gaskin, as well as documenting the numerous other musicians he was associated with in his long career. Gaskin's career encompasses a wide range of musical genres, including gospel, rock, folk, and Caribbean music. The papers include photographs, newspaper clippings, diaries, music manusc...
This accession consists of materials that document the career of George W. Nace and the Amphibian Facility at the University of Michigan that he administered. Materials include correspondence, memoranda, brochures, clippings, grant proposals and records, and other administrative papers.
These records consist of Smithsonian Institution Traveling Exhibition Service (SITES) exhibition files, arranged by exhibition. The files contain varying amounts of information, including itineraries, shipping and insurance papers, press releases, lists of items, correspondence with lenders, and occasional photographs.
This accession includes publications created by the Cooper-Hewitt, National Design Museum documenting exhibitions, symposiums, educational programs, and special events. Materials include brochures; pamphlets; questionnaires; postcards; project catalogues; exhibition guides; posters; and flyers.
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
These records consist of newspaper clippings about Smithsonian Institution museums, curators, exhibitions, and events.
This accession consists of records documenting donations from individuals, corporations, and foundations. Materials include correspondence, agreements, proposals, brochures, invitations, presentations, clippings, and related materials.