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Creators:
Perrot, Paul N.
Dates:
1969-1991
Size:
12.5 cu. ft. (12 record storage boxes) (1 document box)
Collection ID:
Accession 91-098
Repository:
Smithsonian Institution Archives

This accession consists of a selective fragment of the total professional papers of Paul N. Perrot. They are concerned chiefly with his activities in international organizations and projects related to museums and the preservation/conservation of cultural property. The papers cover his career from Directorship in the Corning Museum, throu...

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Creators:
MacMonnies, Frederick William, 1863-1937
Dates:
1874-1997
Size:
7 Linear feet
Collection ID:
AAA.macmfred
Repository:
Archives of American Art

The papers of sculptor Frederick William MacMonnies date from 1874 to 1997 and measure 7.0 linear feet. Found within the papers are biographical material, a diary, correspondence, personal business records, project files, two sketchbooks and sketches, writings, printed material, and photographs. Well over one-half of the collection consists of Mary Smart's research files for her biography of MacMonnies, A Flight with Fame, as well as clippings regarding her research and a copy of the book.

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Creators:
National Portrait Gallery. Administrative Office
Dates:
1972, 1984-1999
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 01-118
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities of the Administrative Office of the National Portrait Gallery. Topics include finance, procurement, and grant management. Records were created and maintained by Barbara A. Hart, Associate Director of Administration, and Carolyn Kinder Carr, Deputy Director. Boxes 1-2 are arranged...

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Creators:
Train, Russell E., 1920-2012
Russell E. Train Africana Collection (Smithsonian. Libraries)
Dates:
1663-2004
Size:
6,500 Items (estimated)
Collection ID:
SIL-CL.XXXX-0014
Repository:
Smithsonian Libraries

Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa.

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Creators:
Fisch, Arline M.
Dates:
1931-2015
Size:
9.8 Linear feet
3.82 Gigabytes
Collection ID:
AAA.fiscarli
Repository:
Archives of American Art

The papers of metalsmith, jeweler, and educator Arline M. Fisch measure 9.8 linear feet and 3.82 GB date from 1931 to 2015. The papers include awards and certificates, correspondence, exhibition and gallery files, project files, San Diego State University teaching files, membership records, and printed and digital and photographic materials.

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Creators:
Feitelson, Lorser, 1898-1978
Dates:
circa 1890s-2002
Size:
15.6 Linear feet
Collection ID:
AAA.feitlors
Repository:
Archives of American Art

The papers of Los Angeles painters and art instructors Lorser Feitelson and Helen Lundeberg measure 15.6 linear feet and date from circa 1890s to 2002. The papers document the careers of the two artists, including their establishment of the Post-surrealism movement in southern California, their work for federal arts programs, and their later abstract artwork. Found are biographical materials, correspondence, personal business records, exhibition files, printed materials, photographs, and one sound recording.

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Creators:
Electricity and Modern Physics, Division of, NMAH, SI.
Marton, Ladislaus Laszlo, 1901-1979 (physicist)
Dates:
1932 - 1970
Size:
4.66 Cubic feet (14 boxes, one (1) 16 mm film)
Collection ID:
NMAH.AC.0100
Repository:
Archives Center, National Museum of American History

This collection consists of materials documenting the history of electron optics, especially electron microscopes. Included are engineering drawings of Marton's devices, designed in Belgium, Stanford and RCA in the 1930s and 1940s; notebooks concerning extensive investigations in electron microscopy; photographs and micrographs concerning developm...

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Creators:
National Museum of American History. Department of the History of Science and Technology
Dates:
circa 1979-1990, and undated
Size:
23.69 cu. ft. (23 record storage boxes) (1 16x20 box)
Collection ID:
Accession 00-001
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of Information Age: People, Information, and Technology, a major exhibition at the National Museum of American History (NMAH), which traces the evolution of information-processing and communications technologies from the 1830s to the present. The ...

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Creators:
Whitney, Gertrude Vanderbilt, 1875-1942
Dates:
1851-1975
bulk 1888-1942
Size:
36.1 Linear feet
Collection ID:
AAA.whitgert
Repository:
Archives of American Art

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

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Creators:
Leo Castelli Gallery
Dates:
circa 1880-2000
bulk 1957-1999
Size:
215.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.leocast
Repository:
Archives of American Art

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

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