487 records — Page 34 of 49
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Creators:
National Philatelic Collection, Smithsonian Institution.
Blenkle, Victor A., Dr., 1900-1978 (physician)
Dates:
circa 1880-circa 1970
Size:
10 Cubic feet (29 boxes)
Collection ID:
NMAH.AC.0200
Repository:
Archives Center, National Museum of American History

This collection consists of postcards gathered by Dr. Victor A. Blenkle, a twentieth century physician. The postcards primarily concern geographical locations and landmarks in the United States and Western Europe, but also include materials from six other continents.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1831-1984, undated
Size:
40 Boxes
Collection ID:
NMAH.AC.0300.S12
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 12: Plants and Animals contains approximately 4,000 pieces of sheet music and other materials documenting the development of and popular attitudes towards plants and animals in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Dates:
1954-2017
Size:
2.84 Linear feet (3 boxes)
Collection ID:
ACMA.03-102
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and promotion of an exhibition exploring the triumphs and struggles of Latinx migrants and immigrants in four urban areas: Washington, DC, Baltimore, MD, Raleigh-Durham, NC, and Charlotte, NC. The exhibition was organized and held at the Anacostia Community Museum from December 5, 2016 – January 7, 2018, and traveled to the Carlos Rosario International Public Charter School in Washington, DC, from October 2018 to Spring 2019. Materials include research files, exhibition files, oral history interviews, exhibition brochures, and media coverage.

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Creators:
Hirshhorn Museum and Sculpture Garden
Dates:
1964-2008
Size:
15.5 cu. ft. (13 record storage boxes) (5 document boxes)
Collection ID:
Accession 11-004
Repository:
Smithsonian Institution Archives

This accession consists of video and audio recordings and film created or maintained by the Hirshhorn Museum and Sculpture Garden (HMSG). The majority of the recordings document lectures, speeches, talks, prominent visitors, exhibitions and other events at the museum, including the HMSG groundbreaking and dedication. Other recordings are ...

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Creators:
Smithsonian Institution. Bureau of American Ethnology
National Museum of Natural History (U.S.). Department of Anthropology
Dates:
1840s-1960s
1840s-1960s
Size:
18,000 Items (ca. 18,000 items)
18,000 Items (ca. 18,000 items)
Collection ID:
NAA.PhotoLot.24
Repository:
National Anthropological Archives

The collections consists mostly of original and copy prints. There are also some negatives, artwork, photographs of artwork, and printed materials. Included is a large miscellany of ethnological, historical, and some archaeological subjects collected by the Bureau of American Ethnology from a wide variety of sources. To these have been added some p...

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Smithsonian Associates. Office of Public Affairs
Dates:
1981-1993
Size:
9.5 cu. ft. (9 record storage boxes) (1 document box)
Collection ID:
Accession 95-023
Repository:
Smithsonian Institution Archives

Within this accession, the first series contains records pertaining to Special Events which include performing arts, lectures and films. The second series includes records concerning Tuesday Mornings, Singles Evenings, seminars, tours, Discovery Theatre, the Young Associates, Discover Graphics, and Campus on the Mall. The third series con...

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Creators:
Smithsonian Business Ventures. Product Development and Licensing
Dates:
1985-2008
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 09-079
Repository:
Smithsonian Institution Archives

This accession consists of records which document the processes of Product Development and Licensing at Smithsonian Business Ventures. The unit's primary function is to generate revenue for the Smithsonian Institution through the licensing and development of products related to collections within the Smithsonian museums. Some of these pro...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 2014
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2014
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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487 records — Page 34 of 49