Eugene O. Leonard photograph collection relating to Pocatello and Fort Hall, Idaho
6 Prints and postcards (photogravure)
100 Negatives (circa, glass)
220 Copy prints (circa)
9 Prints and postcards (cyanotype)
99 Items (99 photomechanical prints and postcards, halftone, color halftone, collotype, photgravure)
1,000 Negatives (circa, nitrate)
734 Photographic prints (circa, silver gelatin, albumen, and platinum (including photographic postcards and cabinet cards))
Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including Native Americanss (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run for Fort Hall …
Jean Crotti papers
The scattered papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913-1973, with the bulk of the material dated 1913-1961. Found within the papers are autobiographical notes and essays; correspondence with family and colleagues, among them Jean Cocteau, Andre Crotti, Suzanne Duchamp, Marcel Duchamp, Albert Gleizes, Christian a.k.a. Georges Herbiet, Henri Matisse, Francis Picabia, and Jacques Villon; notes and writings by Crotti and others; art work by Crotti and Paul Guillaume; a scrapbook; and additional printed material. Photographs are of Crotti, Suzanne Duchamp, Georges Braque, Pablo Picasso, and other family and friends; and of Crotti's art work. There are audio recordings on phonograph records of three interviews with Crotti and one with Mr. and Mrs. Paul Blancpain.
Robert W. White papers
The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.
This accession consists of records created and maintained by exhibition designer Buddy Speight documenting the planning and design of Smithsonian Institution exhibitions as well as traveling exhibitions produced by the Smithsonian Institution Traveling Exhibition Service (SITES). SITES exhibitions documented include Divine Favor, Human Vows: Milagros from Puerto; Exhibition Flight; Korean …
MS 1871 Hand-colored photographs of shield and tipi models for article on Kiowa heraldry
Many not captioned; some marked with tipi name, and/or owner's name, and/or U.S.N.M. catalog numbers.
Louis Comfort Tiffany scrapbook
A scrapbook containing printed material and photographs concerning Tiffany's work.
Thomas Huckerby negatives
This collection contains 61 glass plate negatives taken by Rev. Thomas Huckerby between 1912-1920. Most of the images depict views of petroglyphs on St. Vincent and the Grenadines, St. Lucia and Grenada. Also includes eight images of objects collected by Huckerby; these objects are now in the collections of the National Museum of the American Indian.
James Owen Dorsey photographs of Quapaw people
Photographs depicting Quapaw men, women, and children, in front of or near wood-sided buildings.
Charles Y. Johnson Collection
This collection consists of a great variety of material relating to experiments performed at NRL. Included are reports, photographs, transparencies, rolled data and 167 glass slides.
Lilla Cabot Perry photographs
Sixteen photographs and glass negatives (ca. 1889-1909), possibly taken by Perry on her trips to Giverny, show Claude Monet and his house, studio, and garden at Giverny, France.