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Creators:
Sabrosky, Curtis W. (Curtis Williams), 1910- , interviewee
Dates:
1988
Size:
5 audiotapes (Reference copies).
Collection ID:
Record Unit 9583
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Jones, Jean Ellen, 1942-
Dates:
1978-1984
Size:
0.2 Linear feet
Collection ID:
AAA.jonejean
Repository:
Archives of American Art

The Jean Ellen Jones research material on African American artist Lizzie Wilkerson measures 0.2 linear feet and date from 1978 to 1984. The collection includes printed material, photographic material, and a video recording, Everything That Grows and Moves: The Art of Lizzie Wilkerson.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Aldrich, John W. (John Warren), 1906-1995, interviewee
Dates:
1975, 1977
Size:
4 audiotapes (Reference copies). 7 digital .mp3 files (Reference copies).
Collection ID:
Record Unit 9511
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Barton, George V.
Dates:
1982-1983
Size:
18 audiotapes (Reference copies).
Collection ID:
Record Unit 9556
Repository:
Smithsonian Institution Archives

The Olga Zatorsky Hirshhorn Interviews were conducted during nine sessions between 1986 and 1998. Judith Zilzcer of the Hirshhorn Museum and Sculpture Garden and Pamela M. Henson of the Smithsonian Institution Archives conducted the first eight interviews between 1986 and 1988. An additional interview was conducted by Sidney S. Lawrence, ...

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Creators:
Valentine, P. O. (33 Homestead, Park, Newark)
Gilbert, Cass, 1859-1934
Belden & Company (45 Clinton Street, Newark, N.J.)
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering
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Dates:
1897-1963
bulk 1897-1936
Size:
15 Cubic feet (71 boxes)
Collection ID:
NMAH.AC.0214
Repository:
Archives Center, National Museum of American History

The contents of the collection date from 1897 to 1936. The bulk of the collection consists of loose-leaf binders of photo prints of forty-one Cass Gilbert buildings under construction between 1908 and 1936. (This represents less than half of his firm's total output.) The volumes are arranged alphabetically by name of building. A few additional ph...

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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Creators:
Yellin, Samuel, 1885-1940
Davis, Myra Tolmach
Hofmeister, Richard
National Museum of American History (U.S.). Division of Community Life
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Dates:
circa 1971-1975
circa 1928 -1930
Size:
2 Motion picture films
0.33 Cubic feet (2 boxes)
acetate,,16mm.,,Films:,Silver gelatin on,silent.
Photoprints:,fibre-base paper,,8" x 10".,Silver gelatin on
Collection ID:
NMAH.AC.0254
Repository:
Archives Center, National Museum of American History

Samuel Yellin was an American master blacksmith. In 1910, he built the Arch Street Metalworker's studio.

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Creators:
Anthropological Society of Washington (Washington, D.C.)
Dates:
1879-1993
Size:
32 Boxes
Collection ID:
NAA.MS4821
Repository:
National Anthropological Archives

The record of the Anthropological Society of Washington concern its organization, membership, and management of its business affairs. Records of its early meetings include not only minutes but also summaries--and at times almost complete papers--of its talks and discussions. Often these are manuscripts written by the speakers. There are also small quantities of documents concerning many of the national and local developments in which the society was involved. In addition, documents of the 1950s and 1960s concern the society's special publications and special programs that often involved appearances by outstanding anthropologists from outside Washington.

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Creators:
Taylor, Francis Henry, 1903-1957
Dates:
1935-1937
Size:
6 Items ((on 1 partial microfilm reel))
Collection ID:
AAA.taylfrah
Repository:
Archives of American Art

Correspondence between Francis Henry Taylor, director of the Worcester Art Museum, and Charles Sawyer, curator of the Addison Gallery of American Art regarding the WPA Federal Art Projects in New England. Included are: a letter from Sawyer to Taylor, Sept. 11, 1935, regarding "the Government art projects. ... I am anxious to keep these projects fro...

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