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Creators:
Richardson, Edgar Preston, 1902-1985
Richardson, Constance, 1905-
Dates:
1814-1996
bulk 1921-1996
Size:
28.7 Linear feet
Collection ID:
AAA.richedga
Repository:
Archives of American Art

The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

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Creators:
Fane, Lawrence, 1933-2008
Dates:
circa 1964-2003
Size:
0.4 Linear feet
Collection ID:
AAA.fanelawr
Repository:
Archives of American Art

The papers of New York sculptor Lawrence Fane measure 0.4 linear feet and date from circa 1964-2003. The collection primarily documents Lawrence Fane's activities as a sculptor through biographical material; printed material, including clippings, exhibition announcements, and catalogs; and photographs of artwork.

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Creators:
Gracie Mansion Gallery
Dates:
1972-1991
Size:
5.3 Linear feet
Collection ID:
AAA.gracmans
Repository:
Archives of American Art

The records of the New York City contemporary Gracie Mansion Gallery measure 5.3 linear feet and date from 1972-1991. Most of the records date from the gallery opening in 1982 and later. The bulk of the collection consists of printed material and exhibition loan files that document the activities of the gallery and the East Village art scene. Loan and consignment files are found for numerous artists including Michael Bidlo, Buster Cleveland, Claudia DeMonte, Rodney Alan Greenblat, Stephen Lack, Ed McGowin, David Sandlin, Hope Sandrow, David Wojnarowicz, Rhonda Zwillinger, among others. Also found are scattered business records.

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Creators:
Grant, Dwinell, 1912-1991
Dates:
1930-1988
Size:
0.8 Linear feet
Collection ID:
AAA.grandwin
Repository:
Archives of American Art

The Dwinell Grant papers measure 0.8 linear feet and date from 1930 to 1988. The papers document Grant's career as a painter and filmmaker through awards and certificates, interviews, resumes, and other biographical material; correspondence with friends, colleagues, and art institutions; manuscripts and other writings; business records with Olympia Gallery and Martin Diamond Fine Arts and Graham Gallery; and brochures, exhibition announcements, exhibition catalogs, and other printed material.

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Creators:
Smithsonian Institution. Assistant Secretary for Museum Programs
Dates:
1972-1986, with related records from 1879-1899 and 1965-1976
Size:
163.32 cu. ft. (160 record storage boxes) (2 document boxes) (1 12x17 box) (34 oversize folders)
Collection ID:
Record Unit 342
Repository:
Smithsonian Institution Archives

This record unit documents the work of the assistant secretary for Museum Programs. The office directed the operations of the Conservation Analytical Laboratory, Office of Exhibits Central, Office of the Registrar, the Smithsonian Institution Archives, Smithsonian Institution Traveling Exhibition Service, and the Institution's functions under ...

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Creators:
Parish Gallery
Dates:
1940-2013
bulk 1991-2013
Size:
6.4 Linear feet
11.73 Gigabytes
Collection ID:
AAA.parigall
Repository:
Archives of American Art

The records of Parish Gallery, located in Washington, D.C., measure 6.4 linear feet and 11.73 gigabytes and date from 1940 to 2013, with the bulk of the collection dating from 1991 to 2013. This collection consists primarily of exhibition files, but also includes administrative files, as well as some biographical material related to Norman Parish's career before opening the gallery.

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Creators:
Smithsonian American Art Museum. Office of the Deputy Director
Dates:
1998-2005
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 06-022
Repository:
Smithsonian Institution Archives

This accession consists of records that document exhibition planning and production, and curatorial publishing activities during the tenures of Deputy Directors Charles J. Robertson (1986-2001) and Rachel M. Allen (2002- ). Some materials date to when the museum was known as the National Museum of American Art. Materials include budgets, ...

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Creators:
Renwick Gallery
Dates:
1957, 1961-1989, 1997-2003
Size:
25 cu. ft. (25 record storage boxes)
Collection ID:
Accession 10-128
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with m...

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Creators:
Smithsonian Institution. Assistant Provost for the Arts and Humanities
Dates:
1986-1995
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 00-046
Repository:
Smithsonian Institution Archives

This accession consists of records that document the institution-wide activities of Tom L. Freudenheim during his years as the Assistant Secretary for Museums, 1986-1992, Assistant Secretary for the Arts and Humanities, 1992-1994, and Assistant Provost for the Arts and Humanities, 1994-1995. The records include memoranda and correspondence ...

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Creators:
Rosenblum, Walter, 1919-2006
Dates:
ca. 1945-1976
Size:
38.7 Linear feet ((7,396 negatives, with black-and-white study prints))
Collection ID:
SAAM.Photo.ROS
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Walter Rosenblum Collection is comprised of 7,396 silver gelatin negatives taken by noted photographer Walter Rosenblum (1919-2006) for New York art galleries, collectors and artists between 1945 and 1976. The collection reflects the art of his time and is particularly strong in American and European avant-garde, surreal and abstract works.

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