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Creators:
National Museum of American History. Division of the History of Technology
Dates:
1977-2003
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 04-129
Repository:
Smithsonian Institution Archives

This accession consists of the records of Steven D. Lubar, Curator, which document the following permanent, temporary, and traveling exhibitions at the National Museum of American History (NMAH): A Material World, The Price of Freedom, Fast Attacks and Boomers: Submarines in the Cold War (2000), The Family Car, Between a Rock and a Hard P...

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Creators:
Graf Zeppelin (Airship)
Dates:
bulk 1929
Size:
0.05 Cubic Feet ((3 photographs))
Collection ID:
NASM.2014.0023
Repository:
National Air and Space Museum Archives

This collection consists of three black and white 3.25 by 4.5 inch snapshots presumedly taken from the Graf Zeppelin, LZ-127, as it made its 1929 World Flight. Two of the images show what appears to be Siberia, while the third shows an unidentified German city.

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Creators:
Clarke, J. F. Gates (John Frederick Gates), 1905-1990
Dates:
circa 1929-1970s
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 93-132
Repository:
Smithsonian Institution Archives

This accession consists of 35 mm color slides taken by J. F. Gates Clarke on field work and personal travel. Materials include slides from field trips to the South Pacific, 1953, 1963; and the Caribbean, 1956, 1958. Also included are journals from field trips to the South Pacific, 1953, 1961; personal correspondence and documents; and pho...

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Creators:
Law, Ruth
Dates:
bulk 1916
Size:
0.05 Cubic Feet ((1 folder))
Collection ID:
NASM.1996.0021
Repository:
National Air and Space Museum Archives

This collection consists of a photograph of aviator Ruth Law and her passenger Doris Hayes sitting in Law's aircraft. There is also a "Certificate of Flight," signed by Law, which certifies that Hayes was her passenger in Seabreeze, Florida, on February 21, 1916.

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Creators:
Gallagher, Sears, 1869-1955
Dates:
circa 1882-2010
Size:
1.1 Linear feet
Collection ID:
AAA.gallsear
Repository:
Archives of American Art

The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.

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Creators:
Cano, Margarita, 1932-
Dates:
1982-1985
Size:
0.2 Linear feet
Collection ID:
AAA.canomarg
Repository:
Archives of American Art

Margarita Cano's papers measure 0.2 linear feet and date from 1983-1985. The collection primarily concerns the 1983 exhibition The Miami Generation, 9 Cuban-American Artists, an exhibition organized by The Cuban Museum of Art in Culture in cooperation with the Miami-Dade Public Library System and for which Cano served as Project Director. Curated by Guilio V. Blanc, the exhibition included work by Mario Bencomo, Maria Brito-Avellana, Humberto Calzada, Pablo Cano, Emilio Falero, Fernando Garcia, Juan Gonzalez, Carlos Macia, and Cesar Trasobares. The exhibition traveled to Meridian House International in Washington, DC and later to Philadelphia at the Balch Institute for Ethnic Studies in 1985. Found are two files of correspondence, exhibition planning and publicity files, a catalog, checklist, and photocopied news clippings. Most of the documents are photocopies. There is also one folder of slides and photographs of works of art in the exhibition.

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Creators:
Greenwood, Marion, 1909-1970
Dates:
1883, circa 1933-circa 1960
Size:
0.5 Linear feet
Collection ID:
AAA.greemari
Repository:
Archives of American Art

The papers of painter and muralist Marion Greenwood (1909-1970) measure 0.5 linear feet and date from circa 1933 to circa 1960. The collection is comprised of biographical materials, printed materials, photographs and negatives.

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Creators:
Wilson, Ellis, 1899-1977
Dates:
1922-1959
bulk 1940s
Size:
0.2 Linear feet
Collection ID:
AAA.wilselli
Repository:
Archives of American Art

The papers of African American painter and illustrator Ellis Wilson measure 0.2 linear feet and date from 1922 to 1959, with the bulk of the collection dating from the 1940s. The collection includes certificates, correspondence, printed material, and photographic material. The bulk of this collection is composed of photographs.

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Creators:
Couper, William, 1853-1942
Dates:
1872-1971
bulk 1872-1908
Size:
0.9 Linear feet
Collection ID:
AAA.coupwill
Repository:
Archives of American Art

The papers of William Couper date from 1872 through 1971 with the bulk of the material dated 1872 through 1908. The collection consists of 0.9 linear feet of letters, photographs, and printed material that document William Couper's career as a sculptor and his family life. Letters are from Couper and his wife to his parents, and to his brother John, discussing family matters, his art training, his travels, and his work in New York. There are also several letters from his father-in-law, sculptor Thomas Ball.

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Creators:
Fenton, Beatrice, 1887-1983
Dates:
1836-1984
bulk 1890-1978
Size:
9.36 Linear feet
Collection ID:
AAA.fentbeat
Repository:
Archives of American Art

The papers of sculptor Beatrice Fenton date from 1836-1984 (bulk 1890-1978) and measure 9.36 linear feet. The collection documents Fenton's career as a sculptor and art instructor, as well as her life-long friendships with artist Emily Clayton and art educator Marjorie Martinet. Found are scattered biographical materials, correspondence primarily with Martinet (approximately 1/2 of the collection), business records, notes and writings, scattered records of arts organizations, transcripts of interviews with Fenton, sketches and sketchbooks, a scrapbook, brochures, clippings, postcards, reproductions of artwork, and photographs of friends and family, travels, and artwork. Writings include several illustrated hand-made books of poetry by Emily Clayton.

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