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Creators:
McCrindle, Joseph F.
Dates:
1877-2013
Size:
5.3 Linear feet
Collection ID:
AAA.mccrjose
Repository:
Archives of American Art

The papers of New York art collector and philanthropist, Joseph F. McCrindle, measure 5.3 linear feet and date from 1877-2013. The collection documents McCrindle's art collecting, art donations, philanthropy, family affairs, and personal estate. Found are extensive art inventories, sales receipts, gift and loan documentation, and photographs of artwork. The papers also include Joseph McCrindle's estate records and wills, family papers, records from the Joseph F. McCrindle Foundation, correspondence with museums and galleries, and photographs of McCrindle and family members.

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Creators:
Meiss, Millard, 1904-1975
Dates:
circa 1918-circa 1977
bulk 1950-1975
Size:
11.4 Linear feet
Collection ID:
AAA.meismill
Repository:
Archives of American Art

The papers of art historian, writer, and educator Millard Meiss measure 11.4 linear feet and date from circa 1918 to circa 1977, with the bulk of the material dating from 1950 to 1975. The papers are comprised of biographical material, correspondence, writing projects and lectures, and professional files that document his post World War II work as chairman of the American Committee for the Restoration of Italian Monuments, among other work.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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Creators:
Stendahl Art Galleries
Dates:
1907-1971
Size:
7.5 Linear feet
Collection ID:
AAA.stenartg
Repository:
Archives of American Art

The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.

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Creators:
Parker, Richard Bordeaux, 1923-
Dates:
1965-1979
Size:
1.75 Linear feet (200 Prints: black & white; 2 contact sheets: black & white; 481 Negatives (photographic): black & white)
Collection ID:
FSA.A2002.06
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

A collection of black and white prints and negatives of Islamic monuments taken by former ambassador Richard B. Parker. The collection includes 200 prints and 481 negatives. The images document Islamic architecture throughout Algeria, Cairo, Lebanon, Syria, Jordan, Morocco, and Spain.

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Creators:
National Museum of American Art. Department of Eighteenth and Nineteenth Century Painting and Sculpture
Dates:
1965-1983
Size:
12.5 cu. ft. (12 record storage boxes) (1 document box) (1 oversize folder)
Collection ID:
Record Unit 459
Repository:
Smithsonian Institution Archives

These records document exhibitions organized by the Department. Also included are administrative files and general correspondence files of the office.

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Creators:
Eiseman, Alvord, 1916-1991
Dates:
circa 1914-2005
Size:
10.8 Linear feet
Collection ID:
AAA.eisealvo
Repository:
Archives of American Art

Alvord Eiseman's research on painter Charles Demuth dates from circa 1914-2005 and measures 10.8 linear feet. The collection is comprised of correspondence, writings, artwork files, printed material, and photographic material that were used in Eiseman's research toward a catalogue raisonné on Demuth.

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Creators:
Rosenblum, Walter, 1919-2006
Dates:
ca. 1945-1976
Size:
38.7 Linear feet ((7,396 negatives, with black-and-white study prints))
Collection ID:
SAAM.Photo.ROS
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Walter Rosenblum Collection is comprised of 7,396 silver gelatin negatives taken by noted photographer Walter Rosenblum (1919-2006) for New York art galleries, collectors and artists between 1945 and 1976. The collection reflects the art of his time and is particularly strong in American and European avant-garde, surreal and abstract works.

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Creators:
Finch College. Museum of Art
Varian, Elayne H.
Dates:
1943-1975
bulk 1964-1975
Size:
20.9 Linear feet
Collection ID:
AAA.finccoll
Repository:
Archives of American Art

The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

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Creators:
Yellin, Samuel, 1885-1940
Davis, Myra Tolmach
Hofmeister, Richard
Community Life, Div. of (NMAH, SI)
More …
Dates:
circa 1971-1975
circa 1928 -1930
Size:
2 Motion picture films
0.33 Cubic feet (2 boxes)
acetate,,16mm.,,Films:,Silver gelatin on,silent.
Photoprints:,fibre-base paper,,8" x 10".,Silver gelatin on
Collection ID:
NMAH.AC.0254
Repository:
Archives Center, National Museum of American History

Samuel Yellin was an American master blacksmith. In 1910, he built the Arch Street Metalworker's studio.

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