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Creators:
National Museum of Natural History. Environmental Awareness Program
Dates:
1988-1995
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 96-011
Repository:
Smithsonian Institution Archives

This accession consists primarily of records that document the concept, design, and installation of the Environmental Awareness Program's (EAP) traveling exhibition Ocean Planet, which opened at the National Museum of Natural History (NMNH) on April 22, 1995. The exhibit, which is meant to heighten the public's awareness of conservation i...

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Creators:
Blackstone, Harriet, 1864-1939
Dates:
1870-1984
Size:
5.4 Linear feet
Collection ID:
AAA.blacharr
Repository:
Archives of American Art

The papers of painter Harriet Blackstone date from 1870-1984 and measure 5.4 linear feet. The collection provides documentation of Harriet Blackstone's career through scattered biographical material; personal and professional correspondence, including letters from Maria Oakey Dewing, Thomas Wilmer Dewing, Alice Tisdale Hobart, Joseph Cummings Chas...

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Dates:
2006
Size:
11 compact discs (reference copies).
Collection ID:
Record Unit 9620
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Progra...

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Creators:
Davidovich, Jaime, 1936-2016
Dates:
1949-2014
Size:
2.3 Linear feet
Collection ID:
AAA.davijaim
Repository:
Archives of American Art

The papers of New York-based, Argentinian born conceptual and performance artist Jaime Davidovich, measure 2.3 linear feet and date from 1949 to 2014. The collection document's Davidovich's transition from Argentina to the United States, his early artistic career in both countries, specific projects and exhibitions, and the way in which Davidovich's work intersected with audiovisual media and the New York avant-garde in the 1960s and 1970s. Papers include biographical materials, correspondence, writings including memoirs, exhibition and project files, scrapbooks, and printed materials.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Caldwell, John, 1941-
Dates:
circa 1909-1996
Size:
1.7 Linear feet
Collection ID:
AAA.caldjohn
Repository:
Archives of American Art

The papers or curator and writer John Caldwell measure 1.7 linear feet and date circa 1909 to 1996. The collection documents Caldwell's life and career through a variety of materials, such as biographical material including legal papers relating to the Caldwell Estate, letters from friends and colleagues, writings by Caldwell such as a draft version of a speech and draft essays, printed material including articles written by Caldwell for the New York Times, photographs of Caldwell, family members, dealers, donors, and artists, as well as a video recording documenting the 1985 Carnegie International.

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Creators:
Rush, Olive, 1873-1966
Dates:
1879-1967
Size:
6.3 Linear feet
Collection ID:
AAA.rusholiv
Repository:
Archives of American Art

The papers of Olive Rush measure 6.3 linear feet and date from 1879 to 1967. They contain correspondence, artwork, photographs, writings, and other personal papers documenting Rush's education and career as an illustrator, portraitist, muralist, painter, teacher, and promoter of Native American art.

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Creators:
Perls, Frank
Dates:
circa 1920-1983
bulk 1949-1975
Size:
23.8 Linear feet
Collection ID:
AAA.perlfran
Repository:
Archives of American Art

The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.

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Creators:
National Museum of the American Indian. Office of Education and Public Programs. Media Development Department
Dates:
1991-2006
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Accession 10-200
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual recordings created for exhibitions at the National Museum of the American Indian, George Gustav Heye Center. Exhibitions documented include All Roads Are Good: Native Voices on Life and Culture, Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast, and New York: New Tribe....

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Creators:
Nanao, KenjirĊ, 1929-2013
Dates:
circa 1885-1887
circa 1949-2017
circa 1885-1887
circa 1949-2017
Size:
11.3 Linear feet
0.706 Gigabytes
11.3 Linear feet
0.706 Gigabytes
Collection ID:
AAA.nanakenj
Repository:
Archives of American Art

The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.

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