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Creators:
Smithsonian Institution, Office of Fellowships and Internships
Dates:
1965-2012
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 14-044
Repository:
Smithsonian Institution Archives

This accession consists of the records of directors Gretchen Gayle Ellsworth, Roberta W. Rubinoff, Catherine F. Harris and assistant director Elizabeth Veatch documenting administrative issues, program-related matters, and professional activities. Earlier records date back to when the Office of Fellowships and Internships was known as the Offi...

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Creators:
Spohn, Clay Edgar, 1898-1977
Dates:
circa 1862-1985
bulk 1890-1985
Size:
20.4 Linear feet
Collection ID:
AAA.spohclay
Repository:
Archives of American Art

The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, art work, printed material, and photographs which reflect the life and career of painter and educator Clay Spohn.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1907-1996, undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0618.S08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1907-1996, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 8 consists of paperwork pertaining to the administration of the business, the financial documentation of the business, the records of sales, the advertising signs and promotions of the business, the files kept on employees, and other materials kept at the Scurlock Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Graneto, Philip
Dates:
1885-1900
Size:
1 Cubic foot (1 box, 1 tray)
Collection ID:
NMAH.AC.1486
Repository:
Archives Center, National Museum of American History

Small group of materials documenting late-19th century actor Henry E. Dixey and his roles in the burlesque musicals Adonis and Francois.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 1985
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1985
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smalley, William Allen
Dates:
1943-1998
Size:
18.11 Linear feet (19 boxes, 2 map folders, 40 sound recordings, and 3 computer disks)
Collection ID:
NAA.2006-06
Repository:
National Anthropological Archives

William A. Smalley (1923-1997) was a missionary and anthropological linguist. This collection mainly concerns his work with Hmong scripts and the Khmu' language and contains correspondence, notes, writings, reference materials, photographs, and sound recordings.

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Creators:
Smithsonian Institution. Assistant Secretary for Museum Programs
Dates:
1972-1986, with related records from 1879-1899 and 1965-1976
Size:
163.32 cu. ft. (160 record storage boxes) (2 document boxes) (1 12x17 box) (34 oversize folders)
Collection ID:
Record Unit 342
Repository:
Smithsonian Institution Archives

This record unit documents the work of the assistant secretary for Museum Programs. The office directed the operations of the Conservation Analytical Laboratory, Office of Exhibits Central, Office of the Registrar, the Smithsonian Institution Archives, Smithsonian Institution Traveling Exhibition Service, and the Institution's functions under ...

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1778-1968
Size:
8.45 Cubic feet (consisting of 18 boxes, 5 folders, 8 oversize folders, 1 map case folder, 1 flat box (partial).)
Collection ID:
NMAH.AC.0060.S01.01.Music
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Music forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1988
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1988
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Murphy, W.B.
Norris, Alice
Norris, E. E.
Prior, Joseph
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Dates:
1904-2015
bulk 1904-1989
Size:
12 Cubic feet (25 boxes)
Collection ID:
NMAH.AC.0367
Repository:
Archives Center, National Museum of American History

This collection is the result of a year-long study of Campbell's "Red and White" Soups advertising and marketing, supported in part by a grant from the Campbell Soup Company. Thirty-one oral history interviews were conducted by Dr. Barbara Griffith for the project, and a variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that provides documentation, in print and media, of the history and development of advertising for Campbell's Red and White Soups in the decades following World War II.

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