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Creators:
Choate, John N., of Carlisle, Pennsylvania
Anderson, J. A.
Northwestern Photographic Company
Dates:
undated
Size:
44 Mounted prints
Collection ID:
NAA.MS4574
Repository:
National Anthropological Archives

Photographs of Carlisle by J. N. Choate, three Rosebud Agency photographs by J. A. Anderson, the rest unidentified as to photographer. The photographs probably date between 1880 and 1895.

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Dates:
1865–1870
Size:
14,528 digital files
Collection ID:
NMAAHC.FB.M844
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 16 rolls of microfilm described in the NARA publication M844. These digital surrogates reproduced the records of the Superintendent of Education for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 24 volumes and approximately 7 feet of unbound records. There are 10 volumes of press copies of letters sent, a volume of endorsements, four registers of letters received, a register of monthly rents for school buildings, a volume of reports of persons and articles hired, six volumes of statistical school reports, and a list of teachers. Unbound records consist primarily of letters received by the Superintendent and school reports, but also include contracts, agreements, issuances, and returns of stores.

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Creators:
District of Columbia Art Association
Dates:
1961-1990
Size:
1.91 Linear feet (3 boxes)
Collection ID:
ACMA.06-021
Repository:
Anacostia Community Museum Archives

The collection, which dates from 1969 to 1991 and measures 1.91 linear feet, documents the history of the District of Columbia Art Association, which was founded in 1961 by D.C. public school teachers. The collection is comprised of business documents, correspondence, exhibition catalogs, and artist biographies.

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Creators:
Baird Ornithological Club of Washington, D.C.
Dates:
1922-1949
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Record Unit 7110
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Dates:
1865–1869
Size:
67 Microfilm
Collection ID:
NMAAHC.FB.M1048
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 67 rolls of microfilm described in NARA publication M1048. These digital surrogates reproduced the records of the Assistant Commissioner for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869. The records consist of 40 bound volumes and 51 linear feet of unbound documents. The bound volumes include letters and endorsements sent, registers of letters received, orders and circulars issued, and some personnel records. The unbound records consist primarily of letters and reports received.

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Dates:
1865–1872
Size:
7 Reels
Collection ID:
NMAAHC.FB.M742
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 7 rolls of microfilm described in NARA publication M742. These digital surrogates reproduced the records of the Selected Series of Records Issued by the Commissioner of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. This collection contains seven volumes of letters sent, six volumes of endorsements sent, one volume of circulars issued, and one volume of special orders issued by the Commissioner. Also included are fourteen volumes of indexes. These records relate to the general operation of the Bureau.

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Creators:
Densmore, Frances, 1867-1957
Dates:
1929-1939
Size:
1 Item (box )
Collection ID:
NAA.MS4482
Repository:
National Anthropological Archives

Includes: "Music of Acoma, Isleta and Cochiti (and Zuni) Pueblos." Typed carbon copy of unpublished manuscript, pages 241-250. This manuscript is a brief resume of F. Densmore's work wih Acoma, Isleta, Cochiti and Zuni songs and dances. No date appears on the manuscript but it could not have been written before 1940. This typed carbon copy was rece...

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Creators:
Schmidt, Katherine, 1898-1978
Dates:
circa 1921-1971
Size:
0.2 Linear feet
Collection ID:
AAA.schmkath
Repository:
Archives of American Art

The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
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Dates:
1923-1940
Size:
15 Boxes
The materials in the subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.12
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Peale, Mary Jane, 1827-1902
Copper, James C.
Dates:
1854 April 28
Size:
3 Items ((on partial microfilm reel))
Collection ID:
AAA.pealmary
Repository:
Archives of American Art

Letter concerning Copper's gift to Peale of Rembrandt Peale's painting "Rubens Peale with a Geranium," which had been presented to Copper when it was painted. The letter has been annotated by Mary Jane Peale and is accompanied by the Charles Willson Peale Papers' transcript.

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