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Creators:
National Museum of the American Indian. Collections Management Services
Dates:
2005-2012
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 19-151
Repository:
Smithsonian Institution Archives

This accession consists of grant records that document a variety of exhibitions and programs in modern and contemporary native arts at the National Museum of the American Indian (NMAI). Grants were received by NMAI from the Ford Foundation, the Margaret A. Cargill Foundation and the Akaloa Resources Foundation. Materials include correspondence...

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Creators:
Cooper-Hewitt, National Design Museum. Curatorial Department
Dates:
circa 2010-2011
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 13-078
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the development, planning, and execution of the exhibition National Design Triennial: Why Design Now?. The exhibition, on view from May 4, 2010 through January 9, 2011, was curated by Ellen Lupton, Cara McCarty, Matilda McQuaid, and Cynthia E. Smith. Materials include correspondence, memoranda, ...

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Creators:
Teiwes, Helga
Dates:
1965-2002
Size:
3775 Negatives (photographic)
3126 Slides (photographs)
433 Photographic prints
196 Transparencies
16 Linear feet
Collection ID:
NMAI.AC.070
Repository:
National Museum of the American Indian

The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002. For over thirty years Teiwes worked as a staff photographer for the Arizona State Museum, photographing and documenting Native American communities across the American Southwest. During this time, Teiwes also privately took photographs and built personal relationships among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes. These photographs include portraits of artists at work, families in their homes, daily life on the reservation, special events and landscape photography. Additionally, the Teiwes collection includes photographs from a 1975 trip to Peru and photographs of the Tarahumara (Rarámuri) community in Chihuahua, Mexico.

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Creators:
Fiberworks, Center for the Textile Arts
Dates:
1973-2005
bulk 1974-1987
Size:
3.2 Linear feet
Collection ID:
AAA.fibecenf
Repository:
Archives of American Art

The Fiberworks, Center for the Textile Arts records measure 3.2 linear feet and date from 1973-2005, with the bulk of the records dating from 1974-1987. The collection documents the textile arts school, gallery, and studio through administrative records, photographs, printed matter, and audiovisual material. Records include meeting minutes; photographs of artwork, events, and the Fiberworks community; brochures, announcements, newsletters, and clippings; and sound and video recordings from symposiums, lectures, and interviews.

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Creators:
Okubo, Miné, 1912-2001
Dates:
circa 1940-2001
Size:
1.4 Linear feet
Collection ID:
AAA.okubmine
Repository:
Archives of American Art

The Roy Leeper and Gaylord Hall collection of Miné Okubo papers measure 1.4 linear feet and date from circa 1940 to 2001. Roy Leeper and Gaylord Hall were long-time friends with and patrons of Okubo from the late 1950s until her death. The collection contains letters, writings, and sketches by Okubo. Among the printed materials is a copy of the 1944 special edition of Fortune magazine which was sympathetic to Japanese Americans interned during World War II and for which Okubo was hired to illustrate. Also found are scattered documents relating to Hall and Leeper.

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Creators:
Linda Farris Gallery
Farris, Linda
Dates:
1969-1995
Size:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Collection ID:
AAA.lindfarr
Repository:
Archives of American Art

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

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Creators:
Arnautoff, Victor Mikhail, 1896-1979
Dates:
circa 1920-2017
bulk 1920-1953
Size:
3.3 Linear feet
Collection ID:
AAA.arnavict
Repository:
Archives of American Art

The papers of artist and art teacher Victor Mikhail Arnautoff measure 3.3 linear feet and date from 1920 to 2017 with the bulk of the material dating from the 1920 to 1953. The collection contains biographical material such as marriage certificates, passports, naturalization certificates, and an Arnautoff family history; correspondence between fami...

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Creators:
Barrett, Bill, 1934-
Dates:
1930-2013
bulk 1950-2013
Size:
8.9 Linear feet
2.7 Gigabytes
Collection ID:
AAA.barrbill
Repository:
Archives of American Art

The papers of Bill Barrett measure 8.9 linear feet and 2.70 GB and date from 1930-2013, with the bulk of the material dating from 1950-2013. The collection consists of biographical material, lectures, exhibition files, scrapbooks, printed and digital material, artwork, sketchbooks, and photographic materials that document Bill Barrett's career as a sculptor and painter.

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Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

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Creators:
Mullican, Matt, 1951-
Dates:
circa 1968-2017
Size:
27.8 Linear feet
Collection ID:
AAA.mullmatt
Repository:
Archives of American Art

The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.

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