602 records — Page 36 of 61
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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
circa 1979-1995
Size:
5.5 cu. ft. (5 record storage boxes) (1 document box)
Collection ID:
Accession 96-089
Repository:
Smithsonian Institution Archives

These records include exhibition research files of Judith K. Zilczer, Curator of the Department of Painting and Sculpture, 1990- , as well as records from her tenure as Historian and Associate Curator at the Hirshhorn, 1976-1987, and Associate Curator of Painting, 1987-1990. The records primarily document planning of the exhibition, Willem ...

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Creators:
National Museum of American History. Department of Collections Management Services
Dates:
1971-1998
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 04-079
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, maintenance, and deinstallation of 1876: A Centennial Exhibition at the Arts and Industries Building. Materials include the correspondence and memoranda of Robert M. Vogel, Head Curator of the exhibition; William F. Miner, Project Manager, c. 1974-1978; Jon D. Freshour, Collections...

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Creators:
Smithsonian Institution. Office of the Under Secretary for Art
Dates:
2000-2007
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 10-157
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Office of the Under Secretary for Art, previously the International Art Museums Division. Thomas W. Lentz served as the Director of the International Art Museums Division from 2000 through 2003 and Ned Rifkin served as the Under Secretary for Art from 2004 through 2008. ...

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Creators:
Bocour, Leonard, 1910-1993
Dates:
1933-1993
Size:
11.8 Linear feet
Collection ID:
AAA.bocoleon
Repository:
Archives of American Art

The papers of American art collector, paint manufacturer, lecturer, and painter, Leonard Bocour measure 11.8 linear feet and date from 1933 to 1993. Found within the papers are biographical material; miscellaneous correspondence with artists and colleagues, including Helen Frankenthaler, Chaim Gross, Philip Guston, Alex Katz, Jack Levine, Morris Louis, David Oxtoby, and Philip Pearlstein; diaries, daily calendars, notes and writings; personal business records and the business records of Bocour Artist Colors, Inc.; transcripts of interviews with Bocour; and printed material.

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Creators:
Coggeshall, Calvert, 1907-1990
Dates:
1920-1999
bulk 1965-1989
Size:
1.7 Linear feet
Collection ID:
AAA.coggcalv
Repository:
Archives of American Art

The papers of Maine abstract painter and interior designer Calvert Coggeshall measure 1.7 linear feet and date from 1920-1999, with the bulk of the material dating from 1965-1989. They consist of scattered biographical material, personal and business related correspondence, writings, exhibition files, design business files, printed material, and photographs of Coggeshall, his friends, and his work.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1839-1956
Size:
0.47 Cubic feet (consisting of 1 box, 1 folder, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Oils
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Oils and Lubricants forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
McNamara, Norris
Moon, Moses
Dates:
1963-1964
Size:
4 Cubic feet (18 boxes)
Collection ID:
NMAH.AC.0556
Repository:
Archives Center, National Museum of American History

Recorded by Moses Moon (known at the time as Alan Ribback) and assisted by Norris McNamara during 1963 and 1964, the collection includes audio recordings of interviews with civil rights leaders and participants as well as free-style recordings of mass meetings, voter registration events, and other gatherings organized by Student Nonviolent Coordinating Committee (SNCC). This collection provides a mostly unfiltered documentation of significant moments in the civil rights movement.

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Creators:
Lanyon, Ellen
Dates:
circa 1880-2014
bulk 1926-2013
Size:
62.6 Linear feet
Collection ID:
AAA.lanyelle
Repository:
Archives of American Art

The papers of artist Ellen Lanyon measure 62.6 linear feet and date from circa 1880-2014, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and electronic records, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic Feet (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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602 records — Page 36 of 61