460 records — Page 36 of 46
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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
National Museum of American History. Office of the Director
Dates:
circa 1945-1987 and related records, 1920-1930
Size:
103.51 cu. ft. (100 record storage boxes) (1 12x17 box) (7 tube boxes) (oversize materials)
Collection ID:
Record Unit 334
Repository:
Smithsonian Institution Archives

These records document the tenures of Frank A. Taylor, John C. Ewers, and Robert P. Multhauf as Directors of the Museum of History and Technology (NMHT); of Daniel J. Boorstin, Brooke Hindle, and Roger G. Kennedy as Directors of the National Museum of History and Technology; and of Roger G. Kennedy as Director of the National Museum of Am...

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Creators:
Carter, Benny, 1907-2003
Dates:
1928-2000
Size:
67.5 Cubic feet (182 boxes, 3 oversize folders)
Collection ID:
NMAH.AC.0757
Repository:
Archives Center, National Museum of American History

The majority of the material in the Benny Carter Collection is dated from the late 1920s through the later half of the 1990s. Donated to the Smithsonian Institution in December, 2000, the bulk of the collection is comprised of original music manuscripts (full scores and parts), band books, and published sheet music from Benny Carter's prolific care...

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Creators:
Garland, Ed
Armstrong, Louis, 1901-1971
Morton, Jelly Roll, d. 1941
Levin, Floyd, 1922-2007
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Dates:
1880 - 2010
Size:
42.5 Cubic feet (110 boxes, 12 oversize folders)
Collection ID:
NMAH.AC.1222
Repository:
Archives Center, National Museum of American History

Floyd Levin was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. The collection consists of research materials including biographical files. In addition, there are numerous photographs that were taken and collected by Levin.

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Creators:
Nelson, Scott
Bobcat Company
Dates:
1940s-2009
Size:
24 Film reels
56 Cubic feet (128 boxes, 8 oversized folders)
10 Electronic discs (CD)
5 Electronic discs (DVD)
14 Videocassettes (BetacamSP)
38 Videocassettes (U-matic)
9 Videocassettes (VHS)
1 Videocassettes (Digital Betacam)
Collection ID:
NMAH.AC.1129
Repository:
Archives Center, National Museum of American History

The Bobcat Company Records document a post-war invention process and American manufacturing system through the case study of a dynamic machine, the Bobcat skid-steer loader. The records focus primarily on Bobcat's products, marketing, and advertising through product literature, photographs, advertisements, posters, newsletters, and audiovisual materials.

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Creators:
Renwick Gallery. Office of the Director
Dates:
1967-1988
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 465
Repository:
Smithsonian Institution Archives

This record unit primarily documents the tenure of Lloyd Herman, Director of the Renwick Gallery, but also contains the records of David W. Scott, Robert Tyler Davis, and Joshua C. Taylor, directors of the National Collection of Fine Arts (NCFA). The records pertain to temporary exhibitions as well as the permanent collections of the Renwick ...

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Creators:
Smithsonian Institution. Assistant Provost for Educational and Cultural Programs
Dates:
1990-1995
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 00-051
Repository:
Smithsonian Institution Archives

This accession consists of records that document the Educational Outreach Fund (EOF) activities of Manjula Kumar, Program Manager for EOF under the offices of the Assistant Secretary for Public Service, 1989-1992, Assistant Secretary for Education and Public Service, 1992-1994, and Assistant Provost for Educational and Cultural Programs, 1994-...

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Creators:
Smithsonian Institution Traveling Exhibition Service
Dates:
circa 1977-1999
Size:
28 cu. ft. (28 record storage boxes)
Collection ID:
Accession 00-069
Repository:
Smithsonian Institution Archives

This accession consists of records documenting exhibitions mounted by the Smithsonian Institution Traveling Exhibition Service (SITES). Materials include itineraries, slides, news clippings, scripts, press releases, shipping documents, checklists, loan records, correspondence, photographs, lists, motion pictures, videotapes, audiotapes, a...

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Creators:
National Congress of American Indians
Dates:
1933-1990
bulk 1944-1989
Size:
251 Linear feet (597 archival boxes)
Collection ID:
NMAI.AC.010
Repository:
National Museum of the American Indian

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

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Creators:
Butterfield, Jan
Dates:
1950-1997
Size:
15 Linear feet
Collection ID:
AAA.buttjan
Repository:
Archives of American Art

The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

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460 records — Page 36 of 46