Robert Alexander papers and Temple of Man records
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- Creators:
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Alexander, Robert
Temple of Man (Venice, Calif.)
- Dates:
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1938-2015
1938-2015
- Size:
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11.7 Linear feet
1.01 Gigabytes
11.7 Linear feet
1.01 Gigabytes
- Collection ID:
- AAA.alexbob
- Repository:
-
Archives of American Art
The papers of poet, artist, and ordained priest Robert Alexander and the records of Venice, California's Temple of Man measure 11.7 linear feet and 1.01 GB, and date from 1938-2015. The papers and records document Alexander and the Temple of Man, which he founded in 1960 to serve as a meeting place for a community of artists, poets, and musicians. The collection contains biographical material pertaining to Alexander, Temple of Man administrative records, correspondence and artists files, project files, printed material, and photographic material.
Found In
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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circa 1708-1977
- Size:
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1,150 Cubic feet (approximately. Series 1 contains approximately 1108 cubic feet consisting of approximately 2050 boxes, approximately 326 oversize boxes, and map case material. Additional material in Series 2-4 is unquantified. With also, some digital images of select collection materials.)
- Collection ID:
- NMAH.AC.0060
- Repository:
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Archives Center, National Museum of American History
The Warshaw Collection consists of approximately 1,150 cubic feet of material currently contained in approximately 2,050 vertical document boxes, approximately 326 flat oversize boxes, 34 map case drawers of oversize materials, 56 volumes of photographic photo prints, 17 boxes of 4 x 5 color transparencies and black and white photonegatives, 11 box...
Found In
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- Creators:
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Segalove, Ilene, 1950-
- Dates:
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1964-2017
- Size:
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4.4 Linear feet
6.06 Gigabytes
- Collection ID:
- AAA.segailen
- Repository:
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Archives of American Art
The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 4.4 linear feet and 6.06 gigabytes and date from 1964 to 2017. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art.
Found In
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- Creators:
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Hall, Chenoweth, 1908-1999
- Dates:
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circa 1870s-2001
bulk 1938-1999
- Size:
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5.9 Linear feet
- Collection ID:
- AAA.hallchen
- Repository:
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Archives of American Art
The papers of sculptor, writer, and teacher Chenoweth Hall measure 5.9 linear feet and date from circa 1870s-2001, with the bulk of the records dating between 1938-1999. The papers document Hall's career through personal and professional files, correspondence, writing files, printed materials, photographs, and some artwork.
Found In
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- Dates:
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2010-2012
- Size:
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29 Video recordings (1 archives box)
- Collection ID:
- ACMA.01-007.16
- Repository:
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Anacostia Community Museum Archives
These records document the planning, organizing, and launch of the Community and Creativity Project, an initiative to survey and document cultural venues and activities in wards 7 and 8 of Washington, DC. Materials include meeting notes, project brochures, research files, photographs, interviews, and video recordings.
Found In
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- Creators:
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Rand, A. Stanley (Austin Stanley), 1932-2005, interviewee
- Dates:
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1986, 1989-1990
- Size:
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4 audiotapes (reference copy).
- Collection ID:
- Record Unit 9579
- Repository:
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Smithsonian Institution Archives
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
Found In
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- Creators:
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Smithsonian American Art Museum. Curatorial Office
- Dates:
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1971-2010
- Size:
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5 cu. ft. (5 record storage boxes)
- Collection ID:
- Accession 12-612
- Repository:
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Smithsonian Institution Archives
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Curators represented include Virginia M. Mecklenburg, Joann Moser, Toby Jurovics, and Merry A. Foresta. Also includes materials ...
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 26-July 7, 1996
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1996
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Shimono, Sab
- Dates:
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1948-2013
- Size:
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15 Cubic feet (19 boxes, 1 map-folder)
- Collection ID:
- NMAH.AC.1379
- Repository:
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Archives Center, National Museum of American History
Collection documents the career of Saburo "Sab" Shimono, an American actor of Japanese descent.
Found In
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- Creators:
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Linda Farris Gallery
Farris, Linda
- Dates:
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1969-1995
- Size:
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13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
- Collection ID:
- AAA.lindfarr
- Repository:
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Archives of American Art
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.