429 records — Page 36 of 43
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Creators:
Larrabee, Constance Stuart
Dates:
1900-1997
Size:
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1995
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1995
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Sturtevant, William C.
Dates:
1952-2007
Size:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Collection ID:
NAA.2008-24
Repository:
National Anthropological Archives

This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.

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Creators:
Brown, David M.
Dates:
1970-2005
bulk 1980-2002
Size:
11.76 Cubic feet (33 boxes)
Collection ID:
NASM.2006.0013
Repository:
National Air and Space Museum Archives

The David M. Brown Papers consist of almost twelve cubic feet of archival material documenting his career as a U.S. Navy flight surgeon, naval aviator, and NASA astronaut. It includes Brown's diaries, manuals, checklists, certificates, workbooks, notebooks, and related training materials.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1847-1975
Size:
251 Boxes
Collection ID:
NMAH.AC.0300.S04
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1932-1959
Size:
320 Boxes
The subseries includes black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.03
Repository:
Archives Center, National Museum of American History

The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.

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Creators:
Riva, Julia
Jones, Jophe
Warren, Harry, 1893-1981
Dates:
1894-2000
bulk 1926-1980, undated
Size:
32 Cubic feet (70 boxes, 26 folders)
Collection ID:
NMAH.AC.0750
Repository:
Archives Center, National Museum of American History

The Harry Warren Papers consists of original music manuscripts, scores, song sheets, commercial sheet music, bound scores, scripts, business records, correspondence (business, personal and fan), clippings, magazines, photographs, cassette tapes, LP records, posters and programs and personal memorabilia. The material documents the personal life and...

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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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Creators:
Fuller Brush Company
Dates:
1890-2017
Size:
32.5 Cubic feet (77 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1459
Repository:
Archives Center, National Museum of American History

The collection documents the Fuller Brush Company founded by Alfred C. Fuller in 1906.

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429 records — Page 36 of 43