383 records — Page 37 of 39
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Creators:
Artists Talk on Art
Dates:
circa 1974-2018
Size:
64.4 Linear feet
317.43 Gigabytes
Collection ID:
AAA.artitalk
Repository:
Archives of American Art

The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

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Creators:
Free, Jerry D.
International Battle of the Bands, Inc.
Dates:
1981-1998.
Size:
32 Cubic feet (88 boxes)
Collection ID:
NMAH.AC.0677
Repository:
Archives Center, National Museum of American History

Business records, scrapbooks, audio disks, videotape, audio tape, and photographs documenting the business and entertainment activities at the International Battle of the Bands.

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Creators:
Society for the History of Technology
Kranzberg, Melvin, Dr., 1917-1995
Dates:
1956-2017
Size:
353 Cubic feet (378 boxes)
Collection ID:
NMAH.AC.0400
Repository:
Archives Center, National Museum of American History

The Society for the History of Technology Records (SHOT) consists of documents relating to SHOT from its inception in 1958- [0ngoing]. The collection is divided into two subgroups: Subgroup I, General Records, 1956-2009 which consist of papers generated and received by Melvin Kranzberg in his various roles as an officer of SHOT, as well as papers of other SHOT officers. Subgroup II,Technology and Culture Records, 1958-2009, consists of documents relating to the Society's journal, Technology and Culture. T & C is a quarterly publication containing articles of interest to and written by historians and students of technology. The records consist of material generated by Melvin Kranzberg in his role as founding editor-in-chief (1959-1981), first at Case Western Reserve and later at Georgia Institute of Technology, and was succeeded at the National Museum of American History by Robert Post (1981-1996) whose editorial assistants were Brooke Hindle, Helena Wright, Jeffrey Stine, Art Molella and Joan Mentzer. When the museum ended its support of the journal, it moved to the Henry Ford under the editorship of John Staudenmaier (1996-2010) and after that to the University of Oklahoma under the editorship of Suzanne Moon (2010-2020).

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Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
1968-1993, with related records from 1956
Size:
66 cu. ft. (66 record storage boxes)
Collection ID:
Record Unit 481
Repository:
Smithsonian Institution Archives

These records document the planning, development, and installation of exhibitions by the Department of Painting and Sculpture, Hirshhorn Museum and Sculpture Garden (HMSG). Included are biographical and bibliographical research files on artists; correspondence with museums, galleries, and artists concerning loan of artwork; loan reports; ...

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Creators:
Krainik, Cliff
Dates:
1859-1934
Size:
3.19 Cubic feet (2 shoeboxes; 3 flatboxes)
Collection ID:
NASM.1990.0009
Repository:
National Air and Space Museum Archives

This 19th and 20th century ballooning memorabilia collection contains the following items, which have been meticulously inventoried: 112 stereoscopic photographs; 107 photographs; 84 postcards, trade cards, valentines, and similar items; 80 prints; and 23 miscellaneous items.

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Creators:
National Museum of Natural History. Office of the Director
Dates:
1964-1973
Size:
26.5 cu. ft. (53 document boxes)
Collection ID:
Record Unit 197
Repository:
Smithsonian Institution Archives

These records are chiefly files of the Director's Office, 1964-1969, 1971-1972. During the earlier period a complicated subject-numeric system was in use. In 1971 a simpler subject-numeric plan was used and replaced before the end of that year by a straight alphabetic subject file, which is the current office filing system. A full history ...

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Creators:
Haizlip, Ellis B., 1929-1991
Dates:
circa 1945-1991
bulk 1965-1990
Size:
63.64 Linear feet (82 boxes)
Collection ID:
ACMA.06-005
Repository:
Anacostia Community Museum Archives

The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.

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Creators:
Rinzler, Ralph
Dates:
1890-2011
bulk 1950-1994
Size:
106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)
Collection ID:
CFCH.RINZ
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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383 records — Page 37 of 39