[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
between 1951-1960
Size:
1068 slides (photographs) (color)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Simon Ottenberg in Southeastern Nigeria within the Afikpo Village Group, at the time a group of 22 Eastern Igbo villages (sometimes considered part of the Cross River Igbo grouping) in southeastern Nigeria, while on a pre-doctoral Social Science Research Grant from December of 1951 through March of 1953 and during field research from September of 1959 to December of 1960. Also included are photographs taken from June of 1960 to December of 1960 of Abakaliki, a town and the administrative center of the northestern Igbo people, north of Afikpo. According to Dr. Ottenberg in his publication about masked Afikpo rituals, "The Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp. 51-56), which includes the Okpaha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, and the Nkporo and Adaeze, both short distances away" (Masked Rituals of Afikpo, 1975, p. 3).

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Rohrmann, G. F. (George F.)
Dates:
1970-1975
Size:
129 color slides (35mm)
622 negatives (photographic) (black and white, 35mm)
Collection ID:
EEPA.2018-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection depicts the everyday life and architecture of Basotho, Hausa, Makonde, Matabele, Pedi, Swazi, and Xhosa peoples in Nigeria, Southern Africa, and Tanzania.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Robins, D.C. Major
Dates:
between 1920-1935
Size:
43 gelatin silver prints (1 album, black & white, 12 x 16.5 cm. or smaller)
Collection ID:
EEPA.1999-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Album is comprised of photographs taken in and around Patiko, a settlement of the Acholi peoples (also known as Gan) in Uganda, and among the Teso peoples of Uganda. The images depict architectural features, general appearance of both Acholi and Teso, and in some instances activities and rituals. Photographer unknown.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Hobbs, Morris Henry, 1892-1967
Dates:
circa 1901-2014
Size:
4.7 Linear feet
Collection ID:
AAA.hobbmorr
Repository:
Archives of American Art

The papers of etcher Morris Henry Hobbs measure 4.7 linear feet and date from circa 1901-2014. His career as an artist in Chicago and New Orleans is documented through biographical material, correspondence, writings, professional files, printed material, photographs, artwork, and four sketchbooks.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Vaughan, Thomas Wayland, 1870-1952
Dates:
1908-1947 and undated
Size:
9.5 cu. ft. (9 record storage boxes) (1 document box)
Collection ID:
Accession 99-124
Repository:
Smithsonian Institution Archives

These papers consist of Vaughan's professional correspondence with American and foreign scientists concerning descriptions of fossil localities; the identification, description and exchange of specimens; research in coral foraminifera and oceanography; research conditions in Europe around the time of World War II; and the activities of sc...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution, Assistant Secretary for the Arts and Humanities
Dates:
1983-1994
Size:
25.89 cu. ft. (23 record storage boxes) (1 16x20 box) (5 blueprint storage boxes)
Collection ID:
Accession 94-082
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda pertaining to Experimental Gallery proposals, installation of exhibitions, gallery activities with the public, and research; administrative files concerning financial reports, funding (through the Cafritz and Rockefeller foundations, as well as the Pew Charitable Trusts), contracts, ex...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Krantz, Victor
Dates:
1951-1953
Size:
364 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.73-18
Repository:
National Anthropological Archives

Photographs made during Victor Krantz's service with the United States Air Force in Japan. They include images of hotels, shrines, and other buildings; street and market scenes; dancers at Obon festival; people engaged in art, crafts, agriculture, games, and household activities; market scenes; and boats.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Coggeshall, Calvert, 1907-1990
Dates:
1920-1999
bulk 1965-1989
Size:
1.7 Linear Feet
Collection ID:
AAA.coggcalv
Repository:
Archives of American Art

The papers of Maine abstract painter and interior designer Calvert Coggeshall measure 1.7 linear feet and date from 1920-1999, with the bulk of the material dating from 1965-1989. They consist of scattered biographical material, personal and business related correspondence, writings, exhibition files, design business files, printed material, and photographs of Coggeshall, his friends, and his work.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Favretti, Rudy J.
Dates:
circa 1950-2010
Size:
31.5 Cubic feet
Collection ID:
AAG.FAV
Repository:
Archives of American Gardens

The collection contains the project design records of Rudy J. Favretti. Favretti, a landscape architect and professor noted for his extensive work in historical restoration of landscaped gardens, parks, homes, and more. He donated his collection of garden design files, plans, and images to the Smithsonian's Archives of American Gardens in March 2011.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Zilczer, Judith
Dates:
1992-1998
Size:
0.4 Linear Feet
Collection ID:
AAA.zilcjudi
Repository:
Archives of American Art

The papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, compiled by Judith Zilczer, measure 0.4 linear feet and date from 1992-1998. Papers kept by Zilczer in her capacity as a member of an advisory committee to the General Services Administrations (GSA) Art-in-Architecture Program, charged with recommending works of art to decorate the federal Ronald Reagan Building and International Center. The collection documents the process that resulted in the selection of three works of art: Martin Puryear's Bearing Witness, Stephen Robin's Federal Triangle Flowers, and Keith Sonnier's Route Zenith. The records also document the role of the committee as advocates for the artists when Stop Work Orders for Puryear and Sonnier were issued due to massive construction overruns.

Found In