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Creators:
Brown, Bolton, 1864-1936
Dates:
1882-1987
bulk 1882-1936
Size:
1.7 Linear Feet
Collection ID:
AAA.browbolt
Repository:
Archives of American Art

The papers of lithographer, educator, and author Bolton Coit Brown measure 1.7 linear feet and date from 1882 to 1987 with the bulk of the material dating from 1882 to 1936. Found within the papers are biographical material; extensive personal correspondence with family members and friends; writings, including drafts of Art of Art Study and Lithography Since Whistler; and printed material.

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Creators:
Pleissner, Ogden M.
Dates:
1928-1976
Size:
3.2 Linear Feet
Collection ID:
AAA.pleiogde
Repository:
Archives of American Art

The papers of painter Ogden M. Pleissner measure 3.2 linear feet and date from 1928-1976. Found within the papers are biographical material, scattered letters, artwork, nine scrapbooks, over one foot of printed material, and photographs.

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Creators:
Howland, Isabella, 1895-1974
Dates:
1899-1979
Size:
1.2 Linear feet
Collection ID:
AAA.howlisab
Repository:
Archives of American Art

The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.

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Creators:
Ebendorf, Robert, 1938-
Dates:
1920-2015
bulk 1960-2010
Size:
4.8 Linear feet
0.554 Gigabytes
Collection ID:
AAA.ebenrobe
Repository:
Archives of American Art

The papers of metalsmith and jeweler Robert Ebendorf measure 4.8 linear feet and 0.554 GB and date from 1920 to 2015, with the bulk of the material from 1960 to 2010. The papers document Ebendorf's career through scattered biographical material; business correspondence with galleries, universities, and professional groups as well as personal correspondence with friends and family, including a large collection of mail art; artist statements, teaching philosophies, and reflections by Ebendorf as well as writings by others; application materials for the artist's position as Belk Chair at East Carolina University, student fellowship applications, and other teaching files; audio and video recordings of interviews in digital format; inventories, invoices, and publicity material, including several folders of notes and materials for retrospectives; exhibition catalogs, news clippings, and other printed material; sketches, cut paper, and collage work loose and in sketchbooks; and photographic materials of the artist, friends, family, and artwork.

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Creators:
Thomas, Winifred Smeaton, 1903-1987
Dates:
1927-1980
bulk 1932-1935
Size:
2.5 Linear Feet (8 boxes)
Collection ID:
NAA.1996-13
Repository:
National Anthropological Archives

Winifred Smeaton Thomas (1903-1987) was an anthropologist whose main focus was the Near and Middle East, particularly Iraq where she lived from 1932 to 1935. Her papers largely document her time in Iraq and include her work on the Field Museum Anthropological Expedition in 1934, writings about her time in Iraq, and her doctoral studies at University of Chicago. The collection includes writings and publications, correspondence, field diaries, photographs, passports, and notes from Thomas's time as a doctoral student and later as a professor.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic Feet (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Cox, Kenyon, 1856-1919
Dates:
1876-1977
Size:
0.3 Linear feet
Collection ID:
AAA.coxkenyl
Repository:
Archives of American Art

The papers of Kenyon and Louise Cox measure 0.3 linear feet and date from 1876 to 1977. Included are Kenyon and Louise's Certificate of Marriage, autobiographical notes by Louise focusing on her time at the National Academy of Design, writings, and correspondence, primarily from Kenyon Cox, including several illustrated letters. Also found is artwork by Kenyon and others, including Julian Alden Weir, biographical material on Jacob Dolson Cox, Keyon's Father, photographs and printed reproductions of artwork, magazine and newspaper clippings, an unpublished bibliography on Kenyon Cox, and a handwritten list of Kenyon Cox paintings in the National Academy of Design permanent collection.

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Creators:
Huntley, Victoria Hutson, 1900-1971
Dates:
1929-1999
Size:
1.3 Linear feet
Collection ID:
AAA.huntvict
Repository:
Archives of American Art

The papers of Victoria Hutson Huntley measure 1.3 linear feet and date from 1929-1999. Biographical material, correspondence, writings, artwork, printed material and photographs chronicle the professional activities and personal life of the lithographer and muralist.

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Creators:
Colker, Ed, 1927-
Dates:
1944-2013
Size:
3.2 Linear feet
Collection ID:
AAA.colked
Repository:
Archives of American Art

The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2013 and measure 3.2 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs.

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Creators:
Woman's Building (Los Angeles, Calif.)
Dates:
1970-1992
Size:
33.4 Linear feet
Collection ID:
AAA.womabuil
Repository:
Archives of American Art

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.4 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

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