493 records — Page 37 of 50
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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1950-1962
Size:
3.4 linear meters.
Collection ID:
Record Unit 316
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1952-1981
Size:
11.8 linear meters.
Collection ID:
Record Unit 290
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Marilyn Pearl Gallery
Dates:
1925-2000
bulk 1976-1993
Size:
7.4 Linear feet
Collection ID:
AAA.maripeag
Repository:
Archives of American Art

The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.

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Creators:
National Museum of American Art. Office of Public Affairs
Dates:
circa 1968-1989
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 94-102
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records produced by the Office of Public Affairs, National Museum of American Art (NMAA). These records include outgoing and incoming correspondence of Margery Byers, former Chief of the office of Public Affairs, from 1977 to 1989; NMAA exhibition publications, brochures, and posters; lists of exhibition ...

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Creators:
Mallery, Garrick, 1831-1894
Dates:
1849-1902
bulk 1870-1895
Size:
41.29 Linear feet (22 boxes, 29 folders, 3 mounted drawings, and 3 rolled items)
Collection ID:
NAA.MS2372
Repository:
National Anthropological Archives

Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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Creators:
Freeman, Linda, 1941-
Dates:
1971-2015
bulk 1990-2011
Size:
32.9 Linear feet
Collection ID:
AAA.freelind
Repository:
Archives of American Art

The papers of multimedia artist and filmmaker Linda Freeman measure 32.9 linear feet and date from 1971-2015, with the bulk of the material dating from 1990-2011. The collection primarily consists of the production archives of Freeman's video documentary production company L and S Video, producer of 27 short subject documentaries on contemporary American art and artists. Subjects include Emma Amos, Benny Andrews, Romare Bearden, Charles Burchfield, Elizabeth Catlett, Chuck Close, Robert Colescott, Jimmy and Max Ernst, Red Grooms, Jacob Lawrence, Richard Mayhew, Howardena Pindell, Horace Pippin, Faith Ringgold, and Betye and Alison Saar. Additional documentaries on subjects other than single artists include works on Luba artists of Central Africa, the creative process (on Freeman and five other artists featured in other documentaries in the collection), mixed media artists (on Alvin Loving, Flo Oy Wong, and Alison Saar), self-taught artists (on William Hawkins, Bill Traylor, and Grandma Moses), and a six-part series on art subjects for children called I Can Fly.

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
circa 1977-1999
Size:
28 cu. ft. (28 record storage boxes)
Collection ID:
Accession 00-069
Repository:
Smithsonian Institution Archives

This accession consists of records documenting exhibitions mounted by the Smithsonian Institution Traveling Exhibition Service (SITES). Materials include itineraries, slides, news clippings, scripts, press releases, shipping documents, checklists, loan records, correspondence, photographs, lists, motion pictures, videotapes, audiotapes, a...

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Creators:
Linda Farris Gallery
Farris, Linda
Dates:
1969-1995
Size:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Collection ID:
AAA.lindfarr
Repository:
Archives of American Art

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

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Dates:
1921-1979
Size:
13 Linear Feet (26 boxes, 2 audio reels)
Collection ID:
NAA.2006-22
Repository:
National Anthropological Archives

The bulk of this collection documents the professional life of Ruth Leah Bunzel from the 1940s to 1970s. The collection contains correspondence, manuscripts, notes, research files, teaching materials, card files, artwork, and sound recordings.

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493 records — Page 37 of 50