Correspondence; financial records; writings; photographs; sketches; inventories of art works; and printed materials.

Correspondence, photographs, business and financial records, printed matter, scrapbooks, and exhibition catalogs document Mrs. Liebman's acquisition of modern American art, European painting and decorative arts, her interest in and support of photography, her encouragement of individual artists, the inception and early history of the Museum of Mode...

An interview with Clark Richert conducted 2013 August 20- 21, by Elissa Auther, for the Archives of American Art's, Stoddard-Fleischman Fund for the History of Rocky Mountain Area Artists, at the Museum of Contemporary Art in Denver, Colorado.

An interview of Kenneth Miller Adams conducted 1964 April 23, by Sylvia Glidden Loomis, for the Archives of American Art.

An interview of Susanne Ghez conducted 2011 Jan. 25 and 26, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at the Renaissance Society, in Chicago, Ill.

Research material for Alan Gussow's book, A Sense of Place: the Artist and the American Land, and the related Nebraska Public Television production, symposium, and exhibition at Sheldon Memorial Art Gallery, measures 2.8 linear feet and dates from 1956 to 1994. Research files include correspondence, photographs and color transparencies, sound recordings of 17 interviews with artists, a draft manuscript, publicity, reviews, and fan mail. Exhibition and symposium related material includes the proposal, correspondence, and printed matter. Public television production material includes correspondence, publicity, transcripts, soundtrack tapes, and film footage.

The papers of exhibition curator Sanford Schwartz measure 0.7 linear feet and date from 1948-2011. The papers document the preparation and organization of two exhibitions curated by Schwartz, the Myron Stout retrospective at the Whitney Museum of American Art in 1980, and The Early Work of William King at Alexandre Gallery in New York City in 2007. Materials regarding Provincetown, Massachusetts painter Myron Stout (1908-1987) include correspondence with Stout and lenders to the exhibition; notes, writings, and sketches by Schwartz pertaining to the exhibition; and photographs of Stout, including one with Hans Hofmann teaching in Provincetown in 1948. Material regarding sculptor William King (1925-1990) includes correspondence between Schwartz and King, exhibition research and notes, photographs of artwork, and printed material.

The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

The papers of New York painter, Charles Cajori measure 7.3 linear feet and 0.070 GB and date from 1940-2015. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery that was located on the Lower East Side in New York through correspondence; writings and notes; interviews, talks, and panel discussions, one digitized, on art and artists; and printed materials. There is a 2.3 linear foot unprocessed addition to this collection donated in 2015 and 2021 that includes correspondence consisting of postcards from Barbara Grossman to Charles Cajori, 1967-1968, and condulences to Barbara regarding Cajori's death; writings; printed material and a sound recording relating to Charles Cajori and the Tanager Gallery; printed material regarding works of art and exhibition reviews; thumb drives and DVDs containing interviews, works of art, installations, Cajori memorial; photographs are of Cajori (several BW oversized), with family and friends, black and white and color photographs of works of art, events and exhibition installations, slides of works of art including masters, and three black and white photographs of Franz Kline and Willem de Kooning and Franz Kline's studio; biographical information; printed material; files regarding the New York Studio School and the conservation of paintings. Material dates from circa 1940-2015.

This accession consists of materials that document the administrative activities of the Curatorial Office within the National Museum of American Art. The bulk of the material relates to the administrative interactions with the Renwick Gallery, Smithsonian offices and programs, and organizations outside the Smithsonian. Activities featured ...