The California Art Club guest register and scrapbooks measure 1.5 linear feet and date from 1916 to 1961. Included are guest registers spanning 1927 to 1931; a Year Book 1916 of the California Art Club containing images of member artwork and essays; and eleven scrapbooks with clippings, exhibition materials, club bulletins, and place settings.

This collection consists of the transcripts for the Glennen-Webb-Seamans Project (GWS), which examines various aspects of NASA management practices during the Apollo program. This project constitutes one of several oral history projects conducted within the Department of Space History, NASM. The principal investigator for the GWS was Martin Collins and the interview set contains 193 hours of interviews with 22 individuals. The central thread of this collection was the problem of configuring new political relations among the space sciences and sponsors. The following individuals were interviewed: J. Leland Atwood; Delmer Bradshaw; James Burnett; Paul Demitriades; Edward Doll; Peter Downey; Brian Duff; James Elms; James Fletcher; Robert Gilruth; T. Keith Glennan; Donald Jacobs; Ruben Mettler; Mark Miller; George Mueller; Samuel Phillips; Simon Ramo; Robert Seamans; Willis Shapley; Abe Silverstein; David Soergel; Harrison Storms; James Webb; Thorton Wilson; and Herbert York.

The records of the New York City SoHo Artists Association measure 0.4 linear feet and date from 1968 to 1978. They document the Association's lobbying efforts to change New York City zoning laws to allow artists to live and work in SoHo lofts. Found within the collection are correspondence, reports, founding documents, notes, publicity and printed material, photographs, and a sound recording of the first meeting of the Association in 1970.

This collection consists of a series of 68 "Field Reports" completed by Frank T. Coffyn logging flight activities of Wright (Brothers) aircraft, for the period from May 5, 1910, through February 24, 1911

The Hannah Marie Wormington papers, 1930-1993, document her professional career as an archeologist through correspondence, film, grant proposals, lantern slides, lecture notes, manuscripts, newspaper clippings, photographs, presentations, publications, reports, slides, and sound recordings, including her field work at the Folsom Site.

This Moisant Family Scrapbooks consist of three oversized scrapbooks containing newspaper accounts of the Moisants' flying escapades, as well as press releases and writings. The articles also discuss the following aviators who were involved with the Moisants: Harriet Quimby, Roland Garros, Rene Barrier, Rene Simon, John J. Frisbie, Charles Hamilton, and Shakir S. Jerwan.

The papers of painter, muralist, and educator Emanuel Martinez measure 0.7 linear feet and date from 1964 to 2015. The collection is comprised of correspondence with Rodolfo "Corky" Gonzalez of the activist group Crusade for Justice; writings that include journal entries, essays about Mexican American youth, education, the artist Rini Templeton, community murals, and a presentation transcript about the sculpture Farm Workers' Altar; printed materials that include a bumper sticker and flyer designed by Martinez, photocopies of a poem and sketch by Martinez, and a book of writings on Mexican and Spanish Americans signed by George Garcia; photographs of Martinez as a child, in portraits, painting, and at events; and a scrapbook documenting the history of murals and Chicano art in Colorado through clippings and one letter of congratulations from former Representative Patricia Schroeder.

Arthur Nutt was an aeronautical engineer specializing in engine design.

The photographs of works of art by landscape painter, George Inness, measure 1 linear foot, and date from circa 1926-1929. The collection comprises a comprehensive set of photographs of Inness's artwork compiled by his widow, Julia Goodrich Smith, shortly after his death. Smith's photographs are accompanied by a numbered index and also include one photograph of Inness, photographs of biographical items such as diplomas and certificates, and photographs of Inness's coffin and the Inness family grave site.

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.