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Creators:
Davis, Norman
Dates:
circa 1930 - 1977
Size:
0.06 Linear feet (1 box)
Collection ID:
ACMA.06-070
Repository:
Anacostia Community Museum Archives

The collection, which dates from circa 1930 to 1977 and measures .17 linear feet, includes images of African American baseball players from the Anacostia community, as well as documents the youth activities organized by the Metropolitan Police Boys Club #11 in the neighborhood. The collection is comprised of photographic prints.

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Dates:
circa 1899-1952
Size:
1.66 Linear feet (24 sheet music, 1 box)
Collection ID:
ACMA.10-005
Repository:
Anacostia Community Museum Archives

A toast to W.C. Handy; on the Occasionof his 79th Birthday dinner Waldorf Astoria hotel, N.Y.C. -- The Blues I've got poet -- Harlem Lullaby -- Ole Manny's Lullaby Songs; with an instrumental medley -- He's up against the real thing now -- Everytime I pick a sweetie; with Ukulele arrangement -- You're in the right Church but the wrong pew; The grea...

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Creators:
Thompson, Jerry L., 1945
Dates:
1983 - 1989
Size:
3 Linear feet
Collection ID:
SAAM.Photo.THO
Repository:
Smithsonian American Art Museum, Research and Scholars Center

This collection contains photographic material taken during Jerry L. Thompson's career at the Metroplitan Museum of Art (New York, NY). The collection includes black-and-white photographic prints, negatives and color transparencies documenting the work of four prominent American sculptors: Erastus Dow Palmer, Frederic Remington, Augustus Saint-Gaudens, and John Quincy Adams Ward.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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Creators:
Groshans, Werner, 1913 or 4-1986
Groshans, Yetta
Dates:
1926-1997
Size:
2 Linear feet
0.2 Linear feet (1997 Addition)
Collection ID:
AAA.groswern
Repository:
Archives of American Art

Biographical material, correspondence, writings, photographs, slides, and printed material.

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Creators:
Turner, Robert Chapman, 1913-2005
Carney, Margaret, 1949-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 June 11
Size:
48 Pages (Transcript)
Collection ID:
AAA.turner01
Repository:
Archives of American Art

An interview of Robert Turner conducted 2001 June 11, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Smithsonian Productions, in Washington, D.C.

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Creators:
Federal Art Project. Photographic Division
Dates:
circa 1920-1965
bulk 1935-1942
Size:
12.4 Linear feet
Collection ID:
AAA.fedeartp14
Repository:
Archives of American Art

The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1938-2001
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 08-058
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Staff represented include Harry Rand, Curator, Department of 20th Century Painting and Sculpture, SAAM; Louise Reeves, Exhibitions ...

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Creators:
Music, Sports and Entertainment, Division of, NMAH, SI
Tom's Hoard House
Culture and the Arts, Division of (NMAH, SI)
Dates:
1889 and undated
Size:
0.05 Cubic feet (1 box)
Collection ID:
NMAH.AC.1138
Repository:
Archives Center, National Museum of American History

Advertising, postcards, trade cards, and stereographs, depicting African Americans in stereotypical or demeaning ways.

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Creators:
Heritage Gallery
Dates:
1944-2000
bulk 1960-1998
Size:
13.8 Linear feet
Collection ID:
AAA.herigall
Repository:
Archives of American Art

The records of Los Angeles Heritage Gallery measure 13.8 linear feet and date from 1944-2000 with the bulk of the materials dating from 1960-1998. The majority of the collection consists of artists' files containing a wide variety of materials documenting the gallery's representation of its contemporary artists and gallery exhibitions, including biographical information, correspondence, and printed materials. About half of the artists' files are related to artist Charles White. Gallery records also include business correspondence, business records and additional printed materials.

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