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Creators:
J.L. Hudson Gallery
Dates:
1958-1973
Size:
2.8 Linear feet
Collection ID:
AAA.jlhuds
Repository:
Archives of American Art

The records of Detroit's J.L. Hudson Gallery measure 2.8 linear feet and date from 1958 to 1973. The collection comprises administrative records consisting of card files, early gallery records, and a few other administrative files; correspondence with artists and galleries; artist files for Romare Bearden, Childe Hassam, Isamu Noguchi, and others; exhibition files for the gallery's first exhibition, The W.R. Valentiner Memorial Exhibition (1963-1964), and several other exhibitions held at the gallery; client files documenting business transactions with numerous organizations, galleries, and art schools; and printed materials consisting of exhibition catalogs, announcements, and posters for J.L. Hudson Gallery and other galleries.

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Creators:
Smithsonian Institution. Office of Museum Programs
Dates:
1979-1988
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Record Unit 630
Repository:
Smithsonian Institution Archives

These records document the operations of the Office of Museum Programs (OMP) and its work in the museum community. Of special interest are records of the Kellogg Project, funded by the Kellogg Foundation in an effort to expand the educational influence of museums.

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Creators:
Wilbur H. Burnham Studios
Dates:
circa 1901-1991
Size:
40.3 Linear feet
Collection ID:
AAA.wilbhbur
Repository:
Archives of American Art

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 40.3 linear feet and date from circa 1901-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material. There is a 3.4 linear foot unprocessed addition to this collection donated in 2021 that includes sketches, awards, printed material, passports, biographical material, Christmas cards, photographs and negatives of Burnham and works of art, slides and postcards of stained glass windows, posthumous material, a bound ledger, legal papers, invoices and receipts, project files and glass plate negatives. Materials date from circa 1901-1991.

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Creators:
Tworkov, Jack
Dates:
1926-1993
Size:
9.7 Linear feet
Collection ID:
AAA.tworjack2
Repository:
Archives of American Art

The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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Creators:
Sayre, Eleanor A.
Brown, Robert F.
Dates:
1993 April 19-1997 January 10
Size:
213 Pages (Transcript)
Collection ID:
AAA.sayre93
Repository:
Archives of American Art

An interview of Eleanor Sayre conducted 1993 April 19-1997 January 10, by Robert F. Brown, for the Archives of American Art.

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Creators:
Whistler, James McNeill, 1834-1903
Dates:
1863-1906, circa 1940
Size:
0.2 Linear feet
Collection ID:
AAA.whisjame2
Repository:
Archives of American Art

The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.

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Creators:
Long Point Gallery
Dates:
1959-1999
bulk 1976-1998
Size:
7.1 Linear feet
Collection ID:
AAA.longpoin
Repository:
Archives of American Art

The records of the Long Point Gallery measure 7.1 linear feet and date from 1959 to 1999, bulk 1976 to 1998. The collection documents the history of the gallery through administrative records, guest books, correspondence, exhibition files, artists' files, financial records, printed material, and photographic materials.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1988
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1988
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Skowhegan School of Painting and Sculpture
Dates:
1945-2013
Size:
35.42 Linear feet
Collection ID:
AAA.skowscho
Repository:
Archives of American Art

The Skowhegan School of Painting and Sculpture records measure 35.42 linear feet and date from 1945 to 2013. The paper records of the school document the period from circa 1945 to 1977 and consist of administrative records, financial records, visiting artist files, faculty files, student files, and photographic material. Also included are motion picture films by Jack Eastman and Karl Fortess, dating from circa 1950 to 1968, showing the school's campus and faculty, staff, and students at work and leisure. A large portion of the collection consists of the Skowhegan Lecture Archives, a sound recording archive of lectures given by artists speaking at the school between 1952 and 2013.

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