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Creators:
Smithsonian Tropical Research Institute
Dates:
1991-2013
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 14-271
Repository:
Smithsonian Institution Archives

This accession consists of records documenting Smithsonian Tropical Research Institute (STRI) publicity and outreach. Materials include promotional materials; educational products (some including specimens, videos, and books); presentations; several volumes of "Smithsonian Tropical Research Institute Contributions to Research" (compendiums ...

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Creators:
Smithsonian Institution. Assistant Secretary for Research
Dates:
1980-1987
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 88-156
Repository:
Smithsonian Institution Archives

This accession consists of reports, five-year plans, researches, and development plans of the bureaus under the Office of the Assistant Secretary for Research. Also included are photographs of the Fred C. Whipple Observatory, architectural plans for Smithsonian Tropical Research Institute, and books on butterflies and fishes.

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Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

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Creators:
Smithsonian Institution. Assistant Secretary for the Sciences
Dates:
FY 1992-FY 1993
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 95-127
Repository:
Smithsonian Institution Archives

This accession consists of budget submissions to the Assistant Secretary for Research, Robert S. Hoffmann, and justifications for those Offices and bureaus that contain a research component, for FY 1992 and FY 1993. Some files also refer to the budget planning process overall, e.g. "Senate Questions and Answers," and "Office of Management ...

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Creators:
National Museum of Natural History. Associate Director for Special Projects
Dates:
1977-1991
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Record Unit 384
Repository:
Smithsonian Institution Archives

These records consist of correspondence, memoranda, reports, and related materials documenting a myriad of duties performed by Kerby during her career at the National Museum of Natural History (NMNH). They include voluminous materials concerning the development of the National Museum of the American Indian (NMAI), especially activities of...

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Creators:
Watkins, C. Malcolm
Dates:
1935-1979 and undated
Size:
3.6 linear meters.
Collection ID:
Record Unit 7322
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Imhof, Joseph, 1871-1955
Rinehart, F. A. (Frank A.)
Goff, O. S. (Orlando Scott), 1843-1917
Dates:
circa 1894-1964
Size:
89 glass plate negatives
127 Photographic prints
116 copy negatives
Collection ID:
NMAI.AC.142
Repository:
National Museum of the American Indian

This collection includes glass plate negatives, copy negatives and photographic prints taken and collected by Joseph Imhof, a lithographer and painter known for documenting Pueblo culture in New Mexico. These include images shot by Imhof in Acoma, Isleta, Santa Clara (K'apovi) and Taos Pueblos; glass plate negatives (copies) of Frank Rinehart portraits; original glass plate negatives made by Orlando Scott Goff among the Apsáalooke (Crow/Absaroke) in Montana circa 1894; photographic prints of Imhof artworks; and photographs of Joseph and Sarah Imhof and their home in Taos, New Mexico.

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Creators:
Fuller Brush Company
Dates:
1890-2017
Size:
32.5 Cubic feet (77 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1459
Repository:
Archives Center, National Museum of American History

The collection documents the Fuller Brush Company founded by Alfred C. Fuller in 1906.

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Creators:
National Museum of Natural History. Department of Entomology
Dates:
circa 1963-1988, with related records from 1934
Size:
18.5 cu. ft. (18 record storage boxes) (1 document box)
Collection ID:
Record Unit 430
Repository:
Smithsonian Institution Archives

These records consist of administrative subject files and professional correspondence documenting the administration and activities of the Department of Entomology. Most of the records were created during the tenures of Chairmen Paul D. Hurd, Jr., 1971-1976; Donald R. Davis, 1976-1981; and Wayne N. Mathis, 1981-1987. A smaller portion of ...

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Creators:
Federal Art Project. Photographic Division
Dates:
circa 1920-1965
bulk 1935-1942
Size:
12.4 Linear feet
Collection ID:
AAA.fedeartp14
Repository:
Archives of American Art

The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.

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