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Dates:
1865–1869
Size:
32 Reels
Collection ID:
NMAAHC.FB.M821
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 32 rolls of microfilm described in the NARA publication M821. These digital surrogates reproduced the records of the Assistant Commissioner for the State of Texas, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869. The records consist of 10 volumes and some unbound documents. The volumes include letters and endorsements sent, orders issued, registers of letters received, and a "record of criminal offenses." The unbound documents consist primarily of letters and reports received.

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Creators:
Buhl (Buhl-Verville Aircraft Co, Buhl Aircraft Co)
Verville, Alfred V.
Verville Aircraft Company
Dates:
1886-1969
Size:
53.375 Linear feet (102 containers: 89 legal size document boxes, 2 shoeboxes, 10 flatboxes, 1 large format folder)
5 Film reels (1 35mm, two 16mm, and 2 8mm films)
50.008 Cubic feet
Collection ID:
NASM.XXXX.0173
Repository:
National Air and Space Museum Archives

This collection contains Verville's personal papers. The material relates mainly to his various aeronautical concerns as well as his involvement with military aviation. The collection includes a large number of photos tracing the development of Curtiss aircraft and Naval Aviation, and especially documenting the design, construction, and flights of a replica of the Navy's first aircraft, the Curtiss A-1 'Triad', built under Verville's direction by the Bureau of Aeronautics to commemorate the Fiftieth Anniversary of Naval Aviation in 1961. Also included are a large number of blueprints and photos of Verville-designed aircraft, especially those developed by the Verville Aircraft Co. in 1928 - 1931

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Creators:
Sternberg, Harry, 1904-2001
Dates:
1927-2000
Size:
3.4 Linear feet
0.553 Gigabytes
Collection ID:
AAA.sterharr
Repository:
Archives of American Art

The papers of New York City and California painter, printmaker, and teacher Harry Sternberg date from 1927 to 2000 and measure 3.4 linear feet and 0.553 GB. The collection documents Sternberg's career as an artist and art instructor through scattered biographical material, correspondence with friends, artists, collectors, curators, art organizations, universities, and galleries, writings by Sternberg and others, exhibition catalogs and announcements, news clippings, and other printed and digital material. Also found are photographs of Sternberg and his artwork, two sketchbooks and three loose drawings by Sternberg, audio visual recordings, and one scrapbook.

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Creators:
Vargus, Ione
Dates:
1910-2006
Size:
8 Linear feet
Collection ID:
NMAAHC.A2014.39
Repository:
National Museum of African American History and Culture

Edward Dugger (1894-1939) served as a first lieutenant and commanding officer in the African American unit, 372nd Infantry, during the 1920s and 1930s. The 372nd Infantry Regiment was a troop that was part of the 93rd Infantry Division (Colored) which served with the French Army during World War I. He retired in 1936 with the rank of Lieutenant Colonel with the Massachusetts National Guard and passed away in 1939.

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Creators:
Sardino, Robert C.
Dates:
1914-1981, undated
Size:
2.1 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.1471
Repository:
Archives Center, National Museum of American History

The collection consists of motion picture exhibition ephemera (lantern slides, publicity photographs, and paper) saved by Robert L. Sardino during his years working in motion picture theaters in Syracuse, New York.

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Creators:
Musical History, Division of (NMAH, SI)
Cadwell, Paul, 1889-1985 ((banjoist))
Reed, Frances
Dates:
1883-1980
Size:
12 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0387
Repository:
Archives Center, National Museum of American History

The bulk of the collection is music for the five-string banjo, often with piano and/or second banjo accompaniments. Almost no sheets have cover illustrations. Many editions are British and rarely have copyright dates.

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Creators:
Smithsonian Institution. Office of Museum Programs
Dates:
1967-1986
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Record Unit 629
Repository:
Smithsonian Institution Archives

These records document OMP's efforts to promote knowledge of museology and its techniques. Many of the records deal with daily operations of the office. Other records are concerned with cooperative work with international and national museum organizations, as well as topics like museum registration, conservation, public relations security, ...

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Creators:
Herpetologists' League
Dates:
circa 1936-1985
Size:
23 cu. ft. (23 record storage boxes)
Collection ID:
Accession 88-159
Repository:
Smithsonian Institution Archives

This accession consists of records of the Herpetologists' League, a professional society for persons engaged in the study of reptiles and amphibians. These records represent the first effort of the League to pull their records together into one repository, in order to document the history of the organization. The accession includes corresponde...

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Creators:
United Shoe Machinery Corporation
Dates:
1898 - 1987
Size:
145 Cubic feet (296 boxes)
Collection ID:
NMAH.AC.0277
Repository:
Archives Center, National Museum of American History

The collection documents the activities of the United Shoe Machinery Corporation of Beverly, Massachusetts, manufacturers of shoe machinery equipment. The collection consists of engineering records, legal records, research and development records, employee/personnel records, correspondence, company catalogs, product literature, advertising materials, photographs, and moving images.

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Creators:
Yoshida, Ray
Dates:
circa 1895-2010
bulk 1950-2005
Size:
10 Linear feet
Collection ID:
AAA.yoshray
Repository:
Archives of American Art

The papers of Chicago artist and educator Ray Yoshida measure 10 linear feet and date from circa 1895 to 2010, with the bulk of the material dating from 1950 to 2005. Yoshida's career as a painter and collagist as well as his long tenure as a professor at the School of the Art Institute of Chicago are documented through biographical material, personal correspondence, notebooks and writings, teaching records, personal business records, printed material, source material, photographs, sketchbooks, artwork by Yoshida and others, and scrapbooks. Items within the collection also document Yoshida's personal interest in collecting folk art and artifacts.

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