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Creators:
MacDonald, Kevin John, 1946-2006
Dates:
1958-2006
Size:
8 Linear feet
Collection ID:
AAA.macdkevi
Repository:
Archives of American Art

The papers of Washington, D.C. painter and printmaker Kevin MacDonald measure 8 linear feet, and date from 1958-2006. The collection contains correspondence with friends and colleagues; journals, notebooks, and other writings; printed material; artwork by MacDonald and others; 29 sketchbooks; sound and video recordings; and home movies. Of note are several files regarding his work with the Washington Project for the Arts.

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Creators:
Barnet, Will, 1911-2012
Dates:
1897
1929-2016
Size:
30.7 Linear feet
7.24 Gigabytes
Collection ID:
AAA.barnwill
Repository:
Archives of American Art

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

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Creators:
Olitski, Jules, 1922-2007
Dates:
1950-2012
Size:
3.2 Linear feet
Collection ID:
AAA.olitjule
Repository:
Archives of American Art

The papers of artist and educator Jules Olitski measure 3.2 linear feet and date from 1950-2012. The collection sheds light on Olitski's career through writing files that consist of drafts, edits, and some correspondence; printed material such as newspaper clippings and articles, exhibition material, and published writings; portrait photographs of the artist; and sound and video recordings from interviews and lectures.

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Creators:
Liberman, Judith Weinshall
Dates:
circa 1940-2003
Size:
8.6 Linear feet
Collection ID:
AAA.libejudi
Repository:
Archives of American Art

The papers of artist Judith Weinshall Liberman measure 8.6 linear feet and date from circa 1940-2003. The papers consist of biographical material regarding Liberman's family and art history; images, ephemera, and correspondence related to Liberman's artwork, exhibitions, and creative process, especially related to her Holocaust Wall Hangings series; sound and video recordings of interviews, lectures, pannel discussions, and show openings; papers related to her career as a writer; and some papers related to her academic career.

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Creators:
Thread Waxing Space (Gallery)
Dates:
1980s-2001
bulk 1991-2001
Size:
36.7 Linear feet
3.86 Gigabytes
Collection ID:
AAA.threwaxs
Repository:
Archives of American Art

The records of the New York City gallery Thread Waxing Space measure 36.7 linear feet and 3.86 GB and date from 1980s-2001 (bulk 1991-2001). Exhibitions and events held at the gallery are documented through correspondence, artists' bios, printed and digital materials, shipping records, photographic materials, audiovisual materials, and other administrative records. Also found are a handful of artist research files, clippings, and press books.

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Creators:
Glenn, Constance, 1933-
Dates:
1960s-2014
Size:
17.1 Linear feet
6.88 Gigabytes
Collection ID:
AAA.glencons
Repository:
Archives of American Art

The papers of writer, art historian, and curator Constance Glenn measure 17.1 linear feet and 6.88 GB and date from the 1960s to 2014. The material documents Glenn's career through correspondence, writings, book project files, exhibition documentation, professional records, research files, printed and digital material, and some photographs. Also well documented is Glenn's tenure as Museum Director and educator at California State University, Long Beach.

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Creators:
Ernst, Jimmy, 1920-1984
Dates:
1802-2010
bulk 1930-2005
Size:
16.3 Linear feet
0.001 Gigabytes
Collection ID:
AAA.ernsjimm
Repository:
Archives of American Art

The papers of painter Jimmy Ernst measure 16.3 linear feet and 0.001 GB and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed and digital material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).

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Creators:
Smithsonian Productions
Dates:
1974-1976, 1988, 2001
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 02-198
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual elements that document the activities, events, artists, and performers who participate in the Smithsonian Institution's annual Folklife Festival. Materials include 16 mm and 35 mm original camera rolls, work prints, and Betacam SP and U-matic videotape formats.

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Dates:
2010-2012
Size:
29 Video recordings (1 archives box)
Collection ID:
ACMA.01-007.16
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and launch of the Community and Creativity Project, an initiative to survey and document cultural venues and activities in wards 7 and 8 of Washington, DC. Materials include meeting notes, project brochures, research files, photographs, interviews, and video recordings.

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Creators:
Wright Brothers Productions
Dates:
c1986
Size:
1 Item (videocassette (7 min.) (VHS), sd., col., 1/2 in.)
Collection ID:
AAA.wrigbros
Repository:
Archives of American Art

Artist William Meyerowitz's attraction to and work in Gloucester, Mass. is documented with narration by his widow Theresa Bernstein, and still photographs of Meyerowitz, Bernstein, artist-friends Stuart Davis, Edward Hopper, Marsden Hartley, and Hans Hofmann. Shown is Meyerowitz's printing press, his etchings, and his home on Mt. Pleasant Ave.

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