669 records — Page 39 of 67
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Creators:
Metcalf, Elizabeth H. (collector and probable photographer)
Dates:
circa 1890-1944
Size:
735 prints (circa, albumen, platinum, cyanotype, and silver gelatin (some on postcard stock))
150 postcards (circa, halftone, collotype, and chromolithograph)
560 negatives (circa, nitrate)
175 negatives (circa, glass)
85 lantern slides (circa)
5 Linear Feet (Manuscript material :)
Collection ID:
NAA.PhotoLot.107
Repository:
National Anthropological Archives

The collection comprises photographs documenting Philippine people, including Benguet, Bogobo, Igorot, Ifugao, Moro, and Negrito people, and their natural and built environment; it also includes photographs of the military presence in the Philippines. The photographs, including prints and postcards, were made and collected by Elizabeth H. and Sara...

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Creators:
Brusseaux, Eugene
Dates:
between 1900-1905
Size:
35 negatives (photographic) (black & white, 6 x 7 cm.)
354 photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Collection ID:
EEPA.1999-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris. The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends. The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

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Creators:
Evans, Clifford, 1920-1981
Dates:
circa 1933-1952
Size:
6 Prints (silver gelatin)
1 Print (halftone or collotype)
Collection ID:
NAA.PhotoLot.77-80
Repository:
National Anthropological Archives

Photographs depicting members of the Smithsonian's Bureau of American Ethnology and Department of Anthropology. The collection includes photographs of William Duncan Strong, Robert Stephenson, and M.T. Newman in the field (1933, 1938, and 1952); a photograph of Dr. Walter Hough and Neil M. Judd (1935); a group portrait of the Department of Anthrop...

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Dates:
circa 1880s-1920s
Size:
1 Engraving
1 Print (platinum)
18 Prints (silver gelatin)
38 Prints (albumen)
Collection ID:
NAA.PhotoLot.28
Repository:
National Anthropological Archives

Photographs relating to archeology, most of which were made by Bureau of American Ethnology photographers and ethnologists. Much of the collection consists of photographs by Cosmos and Victor Mindeleff of Southwest Indians, pueblos and remains. Images depict mounds and excavations (including Grant Mound in Pennsylvania and additional mounds in We...

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Creators:
Smithsonian Institution. Bureau of American Ethnology
Dates:
circa 1940s
Size:
950 Negatives (circa, acetate)
47 Prints (silver gelatin (some copies))
Collection ID:
NAA.PhotoLot.90
Repository:
National Anthropological Archives

The collection is composed of photographs and copies of published illustrations which were collected for use in the Handbook of South American Indians (Bureau of American Ethnology Bulletin 143). These include images of South American Indians, their artifacts, and their built and natural environments. There are also maps detailing the movements an...

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Creators:
Garbo (Chicago)
Community Life, Div. of, NMAH, SI
Laverne, Gene (Buffalo, NY)
Kriegsmann, James J.
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Dates:
late 1920's-1967
Size:
0.33 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.0065
Repository:
Archives Center, National Museum of American History

Newspaper clippings; advertising brochures; and photoprints of performers at the Palace Theatre (including studio publicity portraits). The majority of the items are silver gelatin photoprints. Some photographers are listed below as index terms. Subjects of photographs include strippers and comedians; photographs of women include portraits as well ...

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Creators:
Ceramics and Glass, Division of (NMAH, SI).
Magdoff, Sam
Piette, Andre, 1934-1984 (ceramic designer, artist)
Dates:
1954-1979
Size:
8 Cubic feet (8 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0129
Repository:
Archives Center, National Museum of American History

Collection documents Andre Piette's career as an illustrator and designer. The materials include sketches, drawings, tracings, photographs (color transparencies, slides, and prints), and samples of wallpaper, designs for gift wrap, and a few textiles.

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Creators:
d'Arazien, Arthur
Dates:
circa 1930-2002
Size:
11 Cubic feet (28 boxes)
Collection ID:
NMAH.AC.0314
Repository:
Archives Center, National Museum of American History

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...

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Creators:
National Museum of Natural History (U.S.). Division of Physical Anthropology
Dates:
undated
Size:
1 Print (engraving)
2 Prints (chalk manner lithograph)
3 Prints (etching)
23 photomechanical prints (halftone, photogravure, and collotype)
152 Photographic prints (silver gelatin and albumen)
8 copy prints
6 copy negatives
1 Print (offset lithography)
1 Print (probably chromolithograph)
11 Negatives (acetate)
3 Drawings
Collection ID:
NAA.PhotoLot.4822
Repository:
National Anthropological Archives

Photographs relating to physical anthropologists from around the 19th and 20th centuries in Europe and the United States. Many of the photographs depict Smithsonian staff, particularly Ales Hrdlicka and T. Dale Stewart, as well as people and artifacts relating to physical anthropology throughout history. Some of the portraits are signed and the col...

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Creators:
Longcope, Janet, ca. 1886-1974
Dates:
1954-1971
Size:
600 mounted prints (circa 600 mounted prints, silver gelatin)
4,000 color slides (circa)
Collection ID:
NAA.PhotoLot.75-26
Repository:
National Anthropological Archives

Photographs made by Janet Longcope during trips to countries around the world. They depict landscapes, buildings, markets, dances, agriculture, arts and crafts, ceremonies, children, cooking, musicians, and transportation. Locations depicted include Afghanistan, Australia, Bhutan, Brazil, Burma, Cambodia, Chile, Colombia, Easter Island, Egypt, Et...

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669 records — Page 39 of 67