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Dates:
2010-2012
Size:
29 Video recordings (1 archives box)
Collection ID:
ACMA.01-007.16
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and launch of the Community and Creativity Project, an initiative to survey and document cultural venues and activities in wards 7 and 8 of Washington, DC. Materials include meeting notes, project brochures, research files, photographs, interviews, and video recordings.

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Creators:
Wright Brothers Productions
Dates:
c1986
Size:
1 Item (videocassette (7 min.) (VHS), sd., col., 1/2 in.)
Collection ID:
AAA.wrigbros
Repository:
Archives of American Art

Artist William Meyerowitz's attraction to and work in Gloucester, Mass. is documented with narration by his widow Theresa Bernstein, and still photographs of Meyerowitz, Bernstein, artist-friends Stuart Davis, Edward Hopper, Marsden Hartley, and Hans Hofmann. Shown is Meyerowitz's printing press, his etchings, and his home on Mt. Pleasant Ave.

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Creators:
Colp, Norman
Dates:
circa 1973-2005
Size:
4 Linear feet
0.031 Gigabytes
Collection ID:
AAA.colpnorm
Repository:
Archives of American Art

The papers of conceptual artist and curator Norman B. Colp measure 4 linear feet and 0.031 GB and date between circa 1973 and 2005. The papers shed light on Colp's career through biographical material, project files, personal business records, printed and digital material, and sound and video recordings.

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Creators:
Gammon, Reginald, 1921-2005
Dates:
1927-2007
bulk 1960-2005
Size:
2.4 Linear feet
5.3 Gigabytes
Collection ID:
AAA.gammreg
Repository:
Archives of American Art

The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

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Creators:
Anacostia Museum
Anacostia Community Museum
Dates:
1989-1998
Size:
936 Photographs (1 Binder, 35mm slides, negatives, and photographic prints.)
0.5 Linear feet
10 video recordings (VHS, 1/2" )
1 sound recording (audio cassette)
Collection ID:
ACMA.01-007.13
Repository:
Anacostia Community Museum Archives

This collection consists of the records of Anacostia Community Museum's Juneteenth program held by the museum from 1989-1999. The material consists primarily of event programs, photographs, and audiovisual recordings of the various celebrations held on the grounds of the museum. video and audio recordings of the program events.

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Creators:
Smithsonian Institution. Office of Physical Plant
Dates:
1982-2000
Size:
111 cu. ft. (111 record storage boxes)
Collection ID:
Accession 04-013
Repository:
Smithsonian Institution Archives

This accession includes project files documenting Office of Physical Plant (OPP) renovation and reconstruction activities of Smithsonian museums and facilities. Materials include correspondence, memoranda, and notes; blueprints and drawings; budget summaries; proposals; reports; and photographs. Each folder includes the OPP project number, ...

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Creators:
University of California, Berkeley.. Office of Educational Television and Radio
Dates:
1986 Jan. 13
Size:
2 Videocassettes (U-matic) ((45 min.), sd; col., 3/4 in.)
Collection ID:
AAA.univcalb2
Repository:
Archives of American Art

Parts I and II. Examines seven works (1960s-1985) by painter Hassel Smith at the John Berggruen Gallery, San Francisco, Calif. Smith comments on each piece. Also heard are Paul Karlstrom, Archives of Art, West Coast Regional CenterDirector, and Barbara Scales.

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Creators:
Sifuentes, Roberto, 1967-
Dates:
circa 1988-2006
bulk 1993-2000
Size:
4.3 Linear feet
0.054 Gigabytes
Collection ID:
AAA.sifurobe
Repository:
Archives of American Art

The papers of performance artist and educator Roberto Sifuentes measure 4.3 linear feet and date from circa 1988 to 2006. The collection documents Sifuentes' work as a professional artist and educator through biographical material and interviews; correspondence including emails; project files including project descriptions, documentation of individual productions, audio and video recordings, and components of works for multimedia projects; conference files documenting symposia and conference participation; articles, versions of performance scripts, and other writings; printed material including press clippings, promotional press packets, and source material; as well as photographic material documenting performances and social events.

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Creators:
Carroll, Eugene A.
Dates:
1955-2015
Size:
1.8 Linear feet
Collection ID:
AAA.carreuge
Repository:
Archives of American Art

The papers of art history professor and collector Eugene Carroll (1931-2016) measure 1.8 linear feet and date from 1955-2015. The collection documents Carroll's interest in particular artists as a historian, a collector, and in a few instances, a friend. Carrol maintained a decades-long correspondence with artists Jacqueline Gourevitch and Marcia Marcus, and dozens of letters, postcards, and photographs in the artists files document those relationships. The collection contains a few published audiovisual CDs and DVDs and one sound cassette pertaining to the artists. Scant material relates to Carroll's tenure at Vassar College, and no material is found regarding Carroll's chief research interest, Rosso Fiorentino.

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Creators:
Saroff, Raymond
Dates:
1953-2009
Size:
1.2 Linear feet
Collection ID:
AAA.saroraym
Repository:
Archives of American Art

The Raymond Saroff papers are dated 1953-2009 and comprise 1.2 linear feet. Letters, printed material and photographs compiled by Saroff document his interest in Claes Oldenburg and "Happenings." Also included are a videotape of Saroff's film Claes Oldenburg's "Ray Gun Theater – 1962" and receipts for artwork purchased for his modern art collection. The 2014 addition includes a catalog essay by curator and collector Howard Rose, Saroff's partner, for an exhibition of their folk art collection at Bard College (1991). Also found are financial records regarding his collections, related printed material, and photographs of artwork.

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