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Creators:
Jones, Jean Ellen, 1942-
Dates:
1978-1984
Size:
0.2 Linear feet
Collection ID:
AAA.jonejean
Repository:
Archives of American Art

The Jean Ellen Jones research material on African American artist Lizzie Wilkerson measures 0.2 linear feet and date from 1978 to 1984. The collection includes printed material, photographic material, and a video recording, Everything That Grows and Moves: The Art of Lizzie Wilkerson.

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Creators:
Betty Cuningham Gallery
Dates:
1970-1983
2004-2014
Size:
7.1 Linear feet
6.47 Gigabytes
Collection ID:
AAA.bettcung
Repository:
Archives of American Art

The records of New York City gallery, Betty Cuningham Gallery, measure 7.1 linear feet and 6.47 gigabytes, and date from 1970-1982 and 2004-2014. The bulk of the collection pertains to the reestablishment of the gallery in 2004, and includes artist files, exhibition files, guest books from exhibitions, exhibition catalogs and announcements, and scrapbooks. Among the artist and exhibition files are several promotional digital video recordings produced by the gallery featuring interviews with artists and curators. The gallery's early records, Cuningham Ward from 1972-1978 and Betty Cuningham Gallery from 1978-1982, contain artist files, exhibition files, a financial ledger, printed material, and photographs.

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Creators:
Parsons, Anne Bowen
Dates:
1967-1968
Size:
30 Items (transcripts)
Collection ID:
AAA.parsanne
Repository:
Archives of American Art

The interviews are of artists, educators, art administrators, and dealers. Topics covered include the Federal Art Project, the Artists' Union, the Club, the influence of French emigre artists, and political activism among artists. The transcripts range from 1 to 4 pages in length.

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Creators:
Sturtevant, 1924-2014
Dates:
circa 1960-2014
bulk 1990-2014
Size:
5.2 Linear feet
0.003 Gigabytes
Collection ID:
AAA.sturelai
Repository:
Archives of American Art

The papers of multi-media artist Elaine Sturtevant date from circa 1960-2014, with the bulk of material dating from the period of the artist's resurgence, 1990-2014. The collection measures 5.2 linear feet and 0.003 GB. The papers document Sturtevant's career and artistic process through correspondence with artists and curators, writings and illustrated notes, exhibition and catalog files, project files, and printed material. Sturtevant's voice and artistic mission emerge through the many items of correspondence, essays, and project notes in the collection. The collection also contains a few born-digital files of scans of exhibition photographs dating from the 1960s.

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Creators:
Kellogg, Remington, 1892-1969
Dates:
circa 1903-1969, with related papers to 1982
Size:
9.35 cu. ft. (7 record storage boxes) (1 half document box) (3 16x20 boxes) (1 oversize folder)
Collection ID:
Record Unit 7434
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Bier, Carol
Bier, Lionel D., 1942-2004
Dates:
1975-1976
Size:
1 Cubic foot
Collection ID:
FSA.A2008.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Photographs taken by Carol Bier and Lionel Bier, comprising two binders of black and white 35mm negatives and contact sheets as well as a collection of images cut out from contact sheets and organized by site, documenting both pre-Islamic and Islamic Iranian architectural monuments, taken 1975-1976. Focus primarily on the Sasanian sites of Fars pro...

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Creators:
Kellogg, Remington, 1892-1969
Dates:
circa 1871-1969 and undated
Size:
6 cu. ft. (12 document boxes)
Collection ID:
Record Unit 7170
Repository:
Smithsonian Institution Archives

The main body of the collection consists of Kellogg's personal incoming and outgoing correspondence with fellow zoologists and geologists regarding research in zoology and marine geologic formations. A significant amount of correspondence with institutions also exists, notably with the Bureau of Biological Survey, the Carnegie Institution ...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Halasz, Piri
Dates:
circa 1950-2017
Size:
1.6 Linear feet
0.179 Gigabytes
Collection ID:
AAA.halapiri
Repository:
Archives of American Art

The papers of Piri Halasz are dated circa 1950-2017, and measure 1.6 linear feet and 0.179 GB. The collection consists of correspondence with Clement Greenberg and a number of well-known artists; writings including article and book manuscripts, drafts of lectures, talks, and born-digital presentations; interview transcripts and sound recordings; exhibition reviews; research; biographical material; photographs; and printed material documenting Halasz's activities as an art critic, writer and curator.

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18.9 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.

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