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Creators:
Scanga, Italo, 1932-
Dates:
circa 1930-2001
Size:
15.4 Linear feet
Collection ID:
AAA.scanital
Repository:
Archives of American Art

The papers of Italian-American sculptor, educator, printmaker, and painter Italo Scanga, date from circa 1930 to 2001 and measure 15.4 linear feet. The papers focus on Scanga's work as an artist but also include scattered teaching materials. Found are biographical materials, correspondence, artist files, exhibition and gallery files, professional files, a video recording, and printed material.

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Creators:
Andreson, Laura
Dates:
1932-1991
Size:
1.9 Linear feet
Collection ID:
AAA.andrlaur
Repository:
Archives of American Art

The papers of ceramicist and educator Laura Andreson measure 1.9 linear feet and date from 1932 to 1991. The collection is comprised of correspondence, professional files, gallery records, writings and notes, artwork, and photographic materials that document her pioneering work in ceramics.

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Creators:
Gordon, Lori K.
Dates:
2001-2004
Size:
1.31 Linear feet (2 boxes; audiocassettes, videocassettes, floppy disk, CDs)
Collection ID:
ACMA.06-082
Repository:
Anacostia Community Museum Archives

The Labat: A Creole Legacy project records, which dates from 2001 to 2004 and measure 1.31 linear feet, contain materials documenting the creation of artist Lori K. Gordon's quilt, titled "Labat: a Creole Legacy," and the life of Celestine Labat. The collection is composed of audiocassettes, videocassettes, floppy disks, CDs, transcripts, newspaper clippings, writings, notes, correspondence, notecards, and postcards.

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Dates:
1917-1954
Size:
1.4 Linear feet
Collection ID:
AAA.beckmax
Repository:
Archives of American Art

The papers of painter and educator Max Beckmann measure 1.4 linear feet and date from 1917 to 1954. The collection documents Beckmann's art career in Germany as well as New York and includes biographical material, correspondence, printed material and photographs.

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Creators:
White, Charles, 1918-1979
Williamson, Mel
Dates:
1956-1961
Size:
0.2 Linear feet
Collection ID:
AAA.willimel
Repository:
Archives of American Art

The Charles W. and Frances White letters and photographs to Melvin and Lorraine Williamson measure 0.2 linear feet and date from 1956 to 1961. The collection includes twenty-eight letters written by Charles and Frances White to Melvin (Mel) and Lorraine Williamson shortly after their arrival in California. Approximately half of the letters are written by Charles, the other half by Frances, and two letters are written jointly. Most are signed from "Chas & Fran." Also included in the collection are photographs that Charles and Frances sent the Williamsons of their home and Charles' studio, and printed material including clippings and exhibition brochures.

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Creators:
Bohrod, Aaron
Dates:
1507-1994
bulk circa 1930-1994
Size:
17.8 Linear feet
Collection ID:
AAA.bohraaro
Repository:
Archives of American Art

The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.

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Creators:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937
Boyle, David, 1842-1911
Dates:
ca. 1900
Size:
14 Pages
Collection ID:
NAA.MS3509
Repository:
National Anthropological Archives

The Report embodies a study of the Iroquois pagans and paganism on the Grand River Reserve, Ontario. (Report prepared by David Boyle, Ph. D.)

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Dates:
1865–1872
Size:
15 Reels
Collection ID:
NMAAHC.FB.M1869
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 15 rolls of microfilm described in the NARA publication M1869. These digital surrogates reproduced the records of the Florida headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of 25 bound volumes and approximately 12 linear feet of unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Creators:
Woman's Building (Los Angeles, Calif.)
Dates:
1970-1992
Size:
33.4 Linear feet
Collection ID:
AAA.womabuil
Repository:
Archives of American Art

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.4 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

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Creators:
Chernow, Burt
Dates:
1930-2002
Size:
21.8 Linear feet
Collection ID:
AAA.cherburt
Repository:
Archives of American Art

The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.

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