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Creators:
Barber, Herbert Spencer, 1882-1950
Dates:
1903-1950
Size:
7 cu. ft. (14 document boxes)
Collection ID:
Record Unit 7103
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Jeffers, Grace
Formica Corporation.
Dates:
1913-2003
Size:
18 Cubic feet (59 boxes, 11 oversize folders )
Collection ID:
NMAH.AC.0565
Repository:
Archives Center, National Museum of American History

The Grace Jeffers Collection of Formica Materials consists of textual files, photographs, slides, negatives, drawings, blueprints, posters, advertisements, product brochures, newsletters, and informational pamphlets documenting the history of the Formica Corporation and the use of Formica brand plastic laminate.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1814-1958
Size:
12.16 Cubic feet (consisting of 25 boxes, 13 folders, 10 oversize folders, 2 map case folders, 2 flat boxes (partial).)
Collection ID:
NMAH.AC.0060.S01.01.Stoves
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Stoves and Heating Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of Natural History. Department of Invertebrate Zoology
Dates:
1896, 1916, 1944, 1960-2013
Size:
12.25 cu. ft. (12 record storage boxes) (1 half document box)
Collection ID:
Accession 14-101
Repository:
Smithsonian Institution Archives

This accession consists primarily of the correspondence of Clyde F. E. Roper, Research Zoologist Emeritus in the Department of Invertebrate Zoology. These records span his entire career, including some materials that predate his work at the National Museum of Natural History. Roper specialized in cephalopods with a particular focus on giant ...

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 Nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 Paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1855-1909
Size:
3.66 Cubic feet (consisting of 8 boxes, 1 folder, 1 oversize folder, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Carpets
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Carpets forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of American History. Division of Medical Sciences.
Parke, Davis Company
Dates:
1867-1971
Size:
300 Cubic feet (389 boxes, 42 map folders)
Collection ID:
NMAH.AC.0001
Repository:
Archives Center, National Museum of American History

The collection documents Parke-Davis and Company, one of the most important and oldest pharmaceutical firms in America.

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Creators:
Smithsonian Institution. Assistant Secretary in charge of the United States National Museum
Dates:
1860-1908
Size:
76.58 cu. ft. (151 document boxes) (3 5x8 boxes)
Collection ID:
Record Unit 189
Repository:
Smithsonian Institution Archives

Most of the correspondence is directed to Goode, with lesser amounts to True, Walcott, and Rathbun. Also, a small amount of correspondence is addressed to the Secretary of the Smithsonian Institution, (Baird, 1878-1887; and Samuel P. Langley, 1887-1906) but is generally referred to the Assistant Secretary for response. Much of the material is...

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Creators:
Jackler, Robert K.
Dates:
circa 1898-2017
undated
Size:
20 Cubic feet (40 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1224
Repository:
Archives Center, National Museum of American History

The collection documents the history of tobacco advertising in America through print advertisements (magazine and newspaper), emphasizing the deceptive advertising practices employed by the tobacco industry to lure and keep smokers. Many of the advertisements contain images of celebrities, athletes, and other notable persons who endorsed tobacco products as well as ethinic imagery.

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