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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1977-1992
Size:
42 cu. ft. (42 record storage boxes) (6 drawers oversize material)
Collection ID:
Accession 92-138
Repository:
Smithsonian Institution Archives

This accession documents in-house projects of the Office of Design and Construction for various Smithsonian buildings. Documentation includes blueprints and architectural drawings, specifications, correspondence with contractors, and work progress reports. Museums and buildings documented in this collection include: Arts and Industries Buildin...

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Creators:
Lodge, Arthur
National Association of Manufacturers
Arthur Lodge Productions.
Dates:
1950 - 1959
Size:
42.5 Cubic feet
Collection ID:
NMAH.AC.0507
Repository:
Archives Center, National Museum of American History

Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.

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Creators:
Paik, Nam June, 1932-2006
Dates:
1832-2008
bulk 1960-2000
Size:
55 Linear feet
Collection ID:
SAAM.NJP.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).

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Creators:
Princeton University
Dates:
1863-1950
Size:
135 Cubic feet (10,690 posters)
Collection ID:
NMAH.AC.0433
Repository:
Archives Center, National Museum of American History

Primarily war-related posters.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1724 -1976
Size:
3.56 Cubic feet (consisting of 8 boxes, 3 folders, 5 oversize folder, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Religion
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Religion forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Woman's Building (Los Angeles, Calif.)
Dates:
1970-1992
Size:
33.5 Linear feet
Collection ID:
AAA.womabuil
Repository:
Archives of American Art

The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.

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Creators:
Teller, Jane
Dates:
1911-1991
Size:
8.6 Linear feet
Collection ID:
AAA.telljane
Repository:
Archives of American Art

The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More …
Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 1996
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1996
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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