391 records — Page 5 of 40
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Creators:
Goldwater, Robert John, 1907-1973
Dates:
1902-1974
Size:
5.4 Linear feet
Collection ID:
AAA.goldrobe
Repository:
Archives of American Art

The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974. Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a nationally recognized expert in the fields of public health, hospital administration, and hospital design and construction.

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Creators:
Kuh, Katharine
Berman, Avis
Mark Rothko and His Times Oral History Project
Dates:
1982 Mar. 18-1983 Mar. 24
Size:
313 Pages (Transcript)
Collection ID:
AAA.kuh82
Repository:
Archives of American Art

An interview of Katharine Kuh conducted 1982 Mar. 18-1983 Mar. 24, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.

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Creators:
Outterbridge, John, 1933-2020
Dates:
1953-1997
Size:
4.8 Linear feet
Collection ID:
AAA.outtjohn
Repository:
Archives of American Art

The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

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Creators:
Catherine Viviano Gallery
Dates:
1930-1990
bulk 1949-1978
Size:
11.6 Linear feet
Collection ID:
AAA.cathvivi
Repository:
Archives of American Art

The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.

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Creators:
Robbins, Warren M.
Dates:
circa 1927-2009
Size:
83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
Collection ID:
Accession 11-001
Repository:
Smithsonian Institution Archives

These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul Bellow, Eliot Elisofon, Otto Fried, Buckminste...

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Creators:
Frank K. M. Rehn Galleries
Dates:
1858-1969
bulk 1919-1968
Size:
21.8 Linear feet
Collection ID:
AAA.franrehg
Repository:
Archives of American Art

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.

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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1996-2001
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 08-057
Repository:
Smithsonian Institution Archives

This accession consists of exhibition proposals declined by the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Also includes records from when SAAM was known as the National Museum of American Art (NMAA). Materials include correspondence, notes, memoranda, proposals, brochures, press kits, and color slides.

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Creators:
National Museum of American Art. Office of the Director
Dates:
1969-1991
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 438
Repository:
Smithsonian Institution Archives

These records consist primarily of administrative subject files maintained by the Office of the Director, documenting his or her activities in the museum, in the Institution, and with outside people and organizations. Also included are files on the National Museum of American Art Commission, its meetings, and its commissioners. Some materials ...

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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391 records — Page 5 of 40