133 records — Page 5 of 14
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Creators:
Hirshhorn Museum and Sculpture Garden. Curatorial Department
Dates:
1984-1986, 1990, 1993-2002
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 04-053
Repository:
Smithsonian Institution Archives

This accession consists of materials documenting the planning, development, installation, fundraising, and publicity of the exhibitions DIRECTIONS: Louise Lawler - Monochrome, DIRECTIONS: Rudolf Schwarzkogler, DIRECTIONS: Byron Kim 'Grey Green', Gary Hill, Juan Munoz, William Kentridge, Robert Gober: Drawings + Sculptures, and Chuck Close...

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
American University (Washington, D.C.). Fine Arts Dept.
Dates:
1946-1980
Size:
10 Microfilm reels (circa 9,000 items on 10 microfilm reels)
Collection ID:
AAA.ameruniv
Repository:
Archives of American Art

The microfilmed American University Fine Arts Department records contain departmental files on faculty, visiting artists, students, fundraising events, and building projects. Also included are files on exhibitions held in the Watkins Gallery; photographs of exhibitions; collection files on permanent acquisitions and memorial gifts, containing photo...

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Creators:
Brown, Judith S., 1931-1992
Dates:
circa 1940-2002
Size:
3.3 Linear feet
Collection ID:
AAA.browjudi
Repository:
Archives of American Art

The papers of sculptor, painter, and dancer Judith Brown measure 3.3 linear feet and date from circa 1940 to 2002. The papers document Brown's career through personal and professional files, printed material, photographs, artwork, and one videocassette recording.

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Creators:
Antonakos, Stephen, 1926-2013
Dates:
1932-2014
bulk 1960-2014
Size:
24.2 Linear feet
1.73 Gigabytes
Collection ID:
AAA.antostep
Repository:
Archives of American Art

The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.

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Creators:
Tworkov, Jack
Dates:
1926-1993
Size:
9.7 Linear feet
Collection ID:
AAA.tworjack2
Repository:
Archives of American Art

The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

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Creators:
Davis, Gene, 1920-1985
Dates:
1920-2000
bulk 1942-1990
Size:
17.7 Linear feet
Collection ID:
AAA.davigene
Repository:
Archives of American Art

The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.

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Creators:
Levi, Julian E. (Julian Edwin), 1900-1982
Dates:
1846-1981
Size:
6.9 Linear feet
Collection ID:
AAA.levijuli
Repository:
Archives of American Art

The papers of painter and teacher Julian E. (Edwin) Levi date from 1846 to 1981, and comprise 6.9 linear feet. They include biographical information and extensive correspondence with museums and galleries, as well as letters written to his family, circa 1927, while Levi was living in Paris. Also found within the papers are scattered drawings and sketches by Levi, writings and notes, financial records, two scrapbooks, printed material, miscellaneous records and photographs that document Levi's professional career and personal life.

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Creators:
Associated American Artists
Dates:
circa 1934-1983
Size:
55 Linear feet
Collection ID:
AAA.assoamea
Repository:
Archives of American Art

The records of the Associated American Artists measure 55 linear feet and date from circa 1934 through 1983. The organization was founded in 1934 to stimulate interest in prints throughout the United States by promoting the sale of prints through department stores and other venues. Later, other genres of works of art were added and the department store abandoned in favor of a New York headquarters. The records contain voluminous files on artists; dealers, galleries, and museums; and clients. Also found is business correspondence, financial records, sales and exhibition catalogs, thirteen dismantled scrapbooks, and posters.

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133 records — Page 5 of 14