161 records — Page 5 of 17
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Creators:
Maertz, J.F., Department Store (Milwaukee, Wis.).
Stanley-Brown, Joseph, 1858-1941
Keystone View Company
Rau, William H.
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Dates:
1887-1930
bulk 1900-1930
Size:
8 Cubic feet ((29 boxes))
Collection ID:
NMAH.AC.0945
Repository:
Archives Center, National Museum of American History

Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1850-1957
Size:
55 Boxes (approximately.)
Collection ID:
NMAH.AC.0060.S02
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.

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Creators:
Sidney, George, 1916-2002
Dates:
1885-2002
bulk 1940-1967
Size:
54 Film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0867
Repository:
Archives Center, National Museum of American History

George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.

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Creators:
National Museum of History and Technology. Division of Agriculture and Mining
Dates:
circa 1923-1973
Size:
7 cu. ft. (14 document boxes)
Collection ID:
Record Unit 240
Repository:
Smithsonian Institution Archives

Records document the activities of the Section of Agriculture, Division of Agriculture and Mining, and its predecessors, and include correspondence, memoranda, exhibit scripts, and reports. Annual reports covering the Sections of Chemical Industries, Chemical Technology, Foods, Manufactures, and Organic Chemistry are also contained in the ...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 2007
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2007
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Jones, R. Bryson
Dates:
circa 1930-1941
Size:
10 Film reels (black-and-white silent, 16mm; 35mm)
Collection ID:
HSFA.1995.11
Repository:
Human Studies Film Archives

9 travelogues filmed in the 30s by R.Bryson Jones. Geographical areas include Canada, U. S. South, Australia Fiji, U. S. West, Morocco, Palestine, South America, and Western Europe. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical do...

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Creators:
Pennsylvania State University. Audio-Visual Services
Dates:
1938-1978, undated
Size:
Film reels (black-and-white color silent sound)
Collection ID:
HSFA.1994.19
Repository:
Human Studies Film Archives

Collection consists of at least 79 film prints retired from Penn State's Audio-Visual Services Library. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and...

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Creators:
Lippard, Lucy R.
Dates:
1930s-2010
bulk 1960-1990
Size:
70.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico. There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Dates:
circa 2010-2011
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 13-078
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the development, planning, and execution of the exhibition National Design Triennial: Why Design Now?. The exhibition, on view from May 4, 2010 through January 9, 2011, was curated by Ellen Lupton, Cara McCarty, Matilda McQuaid, and Cynthia E. Smith. Materials include correspondence, memoranda, ...

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161 records — Page 5 of 17