An interview of Catherine Opie conducted 2012 August 13-27, by Hunter Drohojowska-Philp, for the Archives of American Art, at Opie's home and studio in Los Angeles, California.

The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.

REELS 722-723: Correspondence, 1959-1974, chiefly with galleries and museums; biographical material, including lists of paintings and collections where Brown is represented; 21 catalogues and announcements; 29 clippings; a baby book, 1962-1971, about her son, Noel; 45 photographs, including photos of Brown, artists, her husbands Manuel Neri and Gor...

The records of Bridgehampton, New York's Clayton-Liberatore Gallery measure 3.9 linear feet and date from 1889 to 1980. The collection comprises administrative records that include photographs of artwork and former gallery owner Marie Sterner, and business records for galleries, museums, and arts institutions; artist's files containing records for artwork and exhibitions by over 80 artists including George Bellows, T. Victor Hall, Childe Hassam, Russell Iredell, William J. Scott, Augustus Vincent Tack, Hilda Taylor, and others; and printed materials consisting of art reproductions, books and booklets, clippings, and exhibition catalogs. Many of the files throughout the collection contain material created by Marie Sterner and the Marie Sterner Gallery.

The Arctic Circle records include materials gathered by Bert and Ellen Witt for their private gallery of Inuit art The Arctic Circle. These materials include native artists information which is organized by community, reference material organized topically, slides from the gallery's annual print collections as well as photographs of scupltures and textiles displayed in the gallery. Much of the reference material used by the gallery pertains to native communities in the Nunavet Territory of Canada such as Cape Dorset and Baker Lake as well as other small communities throughout the Northwest Territiories. Additionally photographs taken by Bert and Ellen Witt's son Tony during a trip to Canada in 1973 are included in this collection.

The papers of California ceramicist Beatrice Wood measure 26.6 linear feet and date from 1906 to 1998, with the bulk dating from 1930-1990. There is extensive correspondence with gallery owners, fellow artists, clients, friends, and family. The collection also contains biograpical materials, personal business records, writings, printed materials, photographs, and works of art. Of particular interest are the 28 diaries that Wood maintained from 1916 until her death in 1998 and 42 glazing formula notebooks dating from 1934-1997. Also found are documents of Steven Hoag and Esther Rosencranz, her husband and aunt respectively, that consist of correspondence, business records, and photographs given to the Archives of American Art as part of the Beatrice Wood papers.

Correspondence, including letters from author Ken Kesey, and other friends; photographs of Boise's work, of him and his friends; 3 ink drawings; exhibition announcements; a photocopy of a transcript of Alan Watt's statement concerning Boise's work; 2 Kama Sutra calendars, 1967, containing photographs of Boise's controversial sculptures, and materia...

The papers of southern California Pop artist Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs.

The records of Dorothy Goldeen Gallery, based in Southern California, measure 16.2 linear feet and 2.52 GB and date from 1960 to circa 2014, with the bulk of the items dating from 1987 to 1996. The Dorothy Goldeen Gallery, operated from 1986-1996 and featured the work of prominent contemporary artists, such as Magdalena Abakanowicz, John Altoon, Fletcher Benton, Howard Ben Tre, Ciel Bergman, Squeak Carnwatch, Dale Chihuly, Duck-Hyun Cho, Roy De Forest, Heidi Fasnacht, Robert Hudson, Terence La Noue, Donald Lipski, Nam June Paik, Ed Paschke, Alan Rath, Zizi Raymond, Pablo Reinoso, among many others. The collection includes correspondence, scattered administration records, exhibition files, extensive artists' files that also include many video recordings, financial and legal records, printed and digital materials, and photographic materials.

An interview of Ralph Bacerra conducted 2004 April 7-19, by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Los Angeles, California.