284 records — Page 5 of 29
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Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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Creators:
Stout, George L. (George Leslie)
Dates:
1897-1978
1855
Size:
6.4 Linear feet
Collection ID:
AAA.stougeor
Repository:
Archives of American Art

The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs. There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts & Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
Packard, Emmy Lou, 1914-1998
Dates:
1900-1990
Size:
9.4 Linear feet
Collection ID:
AAA.packemmy
Repository:
Archives of American Art

The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

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Creators:
National Zoological Park. Office of the Director
Dates:
circa 1946-1973
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 96-139
Repository:
Smithsonian Institution Archives

This accession consists of correspondence, memoranda, reports, price lists, and publications documenting relations between the National Zoological Park (NZP) and domestic and foreign zoological parks and animal dealers. Much of the material documents the acquisition, loan, and exchange of animals. Most of the records were created during the ...

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Creators:
Cunningham, Imogen, 1883-1976
Dates:
1903-1991
Size:
5.9 Linear feet
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.

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Creators:
Armstrong, Lucille
Bechet, Sidney, 1897-1959
Armstrong, Louis, 1901-1971
Condon, Eddie, 1905-1973
More …
Dates:
1895-2001
Size:
25 Cubic feet (75 boxes )
Collection ID:
NMAH.AC.0849
Repository:
Archives Center, National Museum of American History

The collection documents Gabler's involvement in the recording industry and the evolution of Commodore Records. The documentation begins with the Commodore Radio Shop through its evolution to Commodore Music Shop. The collection also includes the beginnings of the Commodore record label and information detailing Gabler's 30 years as staff producer and later Vice-President in Charge of Artists and Repertoire at Decca Records (1941-1974). There is a small collection of black and white photographs chronicling the early years at the Commodore Music Shop, as well as jam sessions, often held at Jimmy Ryan's on 52nd Street. The collection also includes a vast array of audio recordings (mainly audiodiscs).

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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Creators:
National Museum of American History (U.S.). Division of Electricity and Modern Physics
Hammer, William J. (William Joseph), 1858-1934 (electrical engineer)
Dates:
circa 1847-1989
Size:
36 Cubic feet (124 boxes, 3 map-folders)
Collection ID:
NMAH.AC.0069
Repository:
Archives Center, National Museum of American History

Original documents and papers generated by William J. Hammer and by various companies and individuals with whom he was associated. Includes material related to the research and inventions of Edison, Bell, Tesla, the Curies, etc.

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284 records — Page 5 of 29