Query: Laurel Gallery (New York, N.Y.)
John Held papers relating to mail art
Creators:
Held, John, 1947-
Dates:
bulk 1973-2013
1947-2018
Size:
12.9 Linear feet
Collection ID:
AAA.heldjohn
Repository:
Archives of American Art

The papers of rubberstamp and artistamp artist, performance artist, collector of mail art, and fine arts librarian John Held, Jr. date from 1947-2018, bulk 1973-2013, and measure 12.9 linear feet. Found within the papers are biographical material, 18 printed diaries, letters received by Held from mail artists around the world, art work consisting of artistamps designed by miscellaneous mail artists, interview transcripts, writings, project and event files, printed material, mail art sent for the Gutai Historical Survey Exhibition held at the San Francisco Art Institute in 2013, and a collection of biographical material presented by Held at a Mail Art Study Day held at the Archives of American Art in 2018.

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in AAA.heldjohn for Laurel Gallery (New York, N.Y.)
Rudy J. Favretti collection
Creators:
Favretti, Rudy J.
Dates:
circa 1950-2010
Size:
31.5 Cubic feet
Collection ID:
AAG.FAV
Repository:
Archives of American Gardens

The collection contains the project design records of Rudy J. Favretti. , a landscape architect and professor noted for his extensive work in historical restoration of gardens, parks, and landscapes. He donated his collection of garden design files, plans, and images to the Smithsonian's Archives of American Gardens in March 2011.

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in AAG.FAV for Laurel Gallery (New York, N.Y.)
Imogen Cunningham papers
Creators:
Cunningham, Imogen, 1883-1976
Dates:
1903-1991
Size:
5.9 Linear feet
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.

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in AAA.cunnimog for Laurel Gallery (New York, N.Y.)
American Federation of Arts records
Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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in AAA.amerfeda for Laurel Gallery (New York, N.Y.)
Ralph Rinzler papers and audio recordings
Creators:
Rinzler, Ralph
Dates:
1890-2011
bulk 1950-1994
Size:
106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)
Collection ID:
CFCH.RINZ
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.

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in CFCH.RINZ for Laurel Gallery (New York, N.Y.)
Records
Creators:
National Museum of American History. Division of Engineering and Industry
Dates:
circa 1948-1988
Size:
18.81 cu. ft. (18 record storage boxes) (1 12x17 box) (1 film box)
Collection ID:
Record Unit 397
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda pertaining to horology, exhibit proposals, manufacturers of engineering equipment, models, collections management, minutes of meetings, acquisitions, and installation of exhibits. Also included are blueprints for the Hall of Heavy Machinery; exhibit scripts from Power and the Early Steam Engine and for Building the …

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in Record Unit 397 for Laurel Gallery (New York, N.Y.)
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
More …
Dates:
undated
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.01 for Laurel Gallery (New York, N.Y.)
Princeton University Poster Collection
Creators:
Princeton University
Dates:
1863-1950
Size:
135 Cubic feet (10,690 posters)
Collection ID:
NMAH.AC.0433
Repository:
Archives Center, National Museum of American History

An extensive and comprehensive collection of posters from World War I and World War II.

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in NMAH.AC.0433 for Laurel Gallery (New York, N.Y.)
Fast Folk Musical Magazine records
Creators:
Fast Folk Musical Magazine
Hardy, Jack, 1947-2011
Meyer, Richard , 1952-
Dates:
1982-2002
bulk 1982-1995
Size:
59.02 Cubic feet (compact discs, Audiotapes (AMPEX 467), digital audiotapes, phonograph records, Reel-to-reel audiotapes, VHS videotapes)
720 Folders (Business records)
Collection ID:
CFCH.FFMM
Repository:
Ralph Rinzler Folklife Archives and Collections

163 reel to reel tapes,136 VHS tapes, 188 cassette tapes, 100 DAT tapes, 20 467 tapes, 6 compact discs, 16 miscellaneous audio materials, all are mostly recordings of Fast Folk events or Fast Folk recording artists; 604 folders containing information and materials relating to magazines, recordings, events and business; objects related to the Fast Folk Musical Magazine

The Fast Folk Musical Magazine records, which date from 1982-2002, document the activities of Fast Folk Musical Magazine. The collection is comprised chiefly of audio/video materials and the paper business records of the company. Audio and video materials include phonograph records, reel-to-reel tapes, VHS videotapes, audiocassettes, digital audiotapes, compact discs and miscellaneous audio material. The paper records include press materials related to Fast Folk and Fast Folk recording artists, magazine source materials, recording agreements, lyrics, artist biographies, photographs, financial documents, correspondence, planning for events and other miscellany. Additionally, there is a Fast Folk t-shirt and a bag of Fast Folk pencils, pens and erasers.

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in CFCH.FFMM for Laurel Gallery (New York, N.Y.)
Society for the History of Technology Records
Creators:
Society for the History of Technology
Kranzberg, Melvin, Dr., 1917-1995
Dates:
1956-2017
Size:
353 Cubic feet (378 boxes)
Collection ID:
NMAH.AC.0400
Repository:
Archives Center, National Museum of American History

The Society for the History of Technology Records (SHOT) consists of documents relating to SHOT from its inception in 1958- [0ngoing]. The collection is divided into two subgroups: Subgroup I, General Records, 1956-2009 which consist of papers generated and received by Melvin Kranzberg in his various roles as an officer of SHOT, as well as papers of other SHOT officers. Subgroup II,Technology and Culture Records, 1958-2009, consists of documents relating to the Society's journal, Technology and Culture. T & C is a quarterly publication containing articles of interest to and written by historians and students of technology. The records consist of material generated by Melvin Kranzberg in his role as founding editor-in-chief (1959-1981), first at Case Western Reserve and later at Georgia Institute of Technology, and was succeeded at the National Museum of American History by Robert Post (1981-1996) whose editorial assistants were Brooke Hindle, Helena Wright, Jeffrey Stine, Art Molella and Joan Mentzer. When the museum ended its support of the journal, it moved to the Henry Ford under the editorship of John Staudenmaier (1996-2010) and after that to the University of Oklahoma under the editorship of Suzanne Moon (2010-2020).

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in NMAH.AC.0400 for Laurel Gallery (New York, N.Y.)
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