328 records — Page 5 of 33
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Creators:
Freeman, Mark, 1908-
Dates:
1930-1982
Size:
0.7 Linear feet
Collection ID:
AAA.freemark
Repository:
Archives of American Art

Correspondence; photographs of Freeman and his paintings; photographs of Ralph Fabri; five reproductions of lithographs of New York City, 1931-1932; and printed material concerning the Audubon Artists, Inc. and the National Society of Painters in Casein and Acrylic.

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Creators:
Glinsky, Vincent, 1895-1975
Dates:
1927-1982
Size:
0.5 Linear feet ((on 3 microfilm reels))
Collection ID:
AAA.glinvinc
Repository:
Archives of American Art

Biographical material; correspondence; printed material; financial papers; sketches; and photographs.

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Creators:
Brown, Bolton, 1864-1936
Dates:
circa 1907-1933
Size:
2 microfilm reels
Collection ID:
AAA.browbolt2
Repository:
Archives of American Art

12 volumes of journals (1915-1933), documenting the technical aspects of his artistic career including drawing, printing, and lithography. They include accounts of experiments and work for other artists, including George Bellows, as well as definitions and excerpts of the writings of others.

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Creators:
Ryman, Robert, 1930-2019
Cummings, Paul
Dates:
1972 October 13-November 7
Size:
31 Pages (Transcript)
Collection ID:
AAA.ryman72
Repository:
Archives of American Art

An interview of Robert Ryman conducted 1972 October 13-November 7, by Paul Cummings, for the Archives of American Art.

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Creators:
Andrus, Vera Eugenia, 1895-1979
Dates:
1939-1979 and [undated]
Size:
0.7 Linear feet
Collection ID:
AAA.andrvera
Repository:
Archives of American Art

Correspondence, diaries, writings, files on publications, art works, photographs, catalogs and clippings.

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Creators:
Kuhn, Walt, 1877-1949
Dates:
1859-1984
bulk 1900-1949
Size:
31 Linear feet
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

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Creators:
Kotin, Albert, 1907-1980
Dates:
1935-1977
Size:
1.6 Linear feet
Collection ID:
AAA.kotialbe
Repository:
Archives of American Art

Approximately 200 letters, 1943-1945, to his wife, some illustrated; ca. 250 letters to and from friends, among them Matthias Goeritz, Bennett Buck and Ted Boppel; several sketches; notes on art technique, theory, and art materials; unpublished fiction and poetry; exhibition catalogs and announcements; financial records; a few photographs of Kotin ...

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Creators:
Marden, Brice, 1938-
Cummings, Paul
Dates:
1972 Oct. 3
Size:
90 Pages (Transcript)
Collection ID:
AAA.marden72
Repository:
Archives of American Art

Interview of Brice Marden conducted 1972 Oct. 3, by Paul Cummings, for the Archives of American Art. Marden speaks of his early family life and schools in Briarcliff, N.Y.; the development of his interest in art; his art and theater activities at Florida State Southern College; Boston University and the Boston art scene in the 1950s.

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Creators:
Roszak, Theodore, 1907-1981
Dates:
1928-1981
Size:
2 Linear feet ((partially microfilmed on 6 reels))
Collection ID:
AAA.rosztheo
Repository:
Archives of American Art

Correspondence, printed material, photographs, sketches, writings, financial material and interviews.

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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328 records — Page 5 of 33